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Ewa Domagala
Poppies 2, 2026
Blandteknik
90 x 90 x 2 cm
A large-scale mixed-media work where painting and collage become part of the same construction. Developed from a smaller study, the composition was enlarged to 90 × 90 cm, allowing the simplified botanical forms, long curved lines and bold areas of colour to take on a more physical presence.
The work is constructed from hand-cut cardboard mounted onto canvas, secured with split pins and prepared with gesso before being worked with acrylic, oil paint and oil sticks. The seams, edges, fastenings and uneven surfaces remain deliberately visible, making the construction itself part of the image.
Playful, oversized forms and deliberately imperfect lines move between still life and abstraction, with strong contrasts of red, green, blue, black and warm orange against a softly worked background.
Technique: Mixed media gessoed cardboard on canvas, acrylic, oil paint and oil sticks
Size: 90 × 90 cm
Original artwork
Pricing on demand
Ewa Domagala
Poppies 2, 2026
Blandteknik
90 x 90 x 2 cm
A large-scale mixed-media work where painting and collage become part of the same construction. Developed from a smaller study, the composition was enlarged to 90 × 90 cm, allowing the simplified botanical forms, long curved lines and bold areas of colour to take on a more physical presence.
The work is constructed from hand-cut cardboard mounted onto canvas, secured with split pins and prepared with gesso before being worked with acrylic, oil paint and oil sticks. The seams, edges, fastenings and uneven surfaces remain deliberately visible, making the construction itself part of the image.
Playful, oversized forms and deliberately imperfect lines move between still life and abstraction, with strong contrasts of red, green, blue, black and warm orange against a softly worked background.
Technique: Mixed media gessoed cardboard on canvas, acrylic, oil paint and oil sticks
Size: 90 × 90 cm
Original artwork
Pricing on demand
Ewa Domagala
Ekerö
Ive never been particularly interested in defining my work through one style or visual language. I tend to follow intuition, colour, movement and whatever happens between memory, material and the thing Im trying to make.
I work across painting, collage and mixed media, using oils, oil sticks, pastels, cardboard and whatever else the work seems to need. Im drawn to cutting things apart, layering them, rebuilding them and leaving some of that construction visible.
My work often begins with something ordinary a flower, a vase, a bowl of fruit, a landscape and becomes something slightly less certain along the way. Shapes get simplified, proportions shift, colours stop behaving realistically and lines dont necessarily go where they should.
Im less interested in perfection than in what happens when I allow a work to stay a little raw, playful and unresolved.
For me, making art is a way of finding something I couldnt have planned in advance.