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Ewa Domagala
Meadow 1, 2026
Blandteknik
18 x 25 x 1 cm
This work combines painting and collage on reclaimed cardboard, allowing the material itself to become an active part of the composition. Torn and lifted fragments are intentionally preserved, creating a relief-like surface where texture, shadow and history remain visible rather than concealed.
A limited palette of vivid pink, violet and green transforms a simple botanical motif into a graphic study of colour and form. Oil paint establishes the structure, while oil pastels add softness, variation and tactile depth to the flower heads and stems.
Rather than treating cardboard as a neutral support, the work embraces its imperfectionscreases, tears and exposed layersas essential visual elements. The result sits between painting, printmaking and assemblage, where the physical character of the material becomes inseparable from the image itself.
Pricing on demand
Ewa Domagala
Meadow 1, 2026
Blandteknik
18 x 25 x 1 cm
This work combines painting and collage on reclaimed cardboard, allowing the material itself to become an active part of the composition. Torn and lifted fragments are intentionally preserved, creating a relief-like surface where texture, shadow and history remain visible rather than concealed.
A limited palette of vivid pink, violet and green transforms a simple botanical motif into a graphic study of colour and form. Oil paint establishes the structure, while oil pastels add softness, variation and tactile depth to the flower heads and stems.
Rather than treating cardboard as a neutral support, the work embraces its imperfectionscreases, tears and exposed layersas essential visual elements. The result sits between painting, printmaking and assemblage, where the physical character of the material becomes inseparable from the image itself.
Pricing on demand
Ewa Domagala
Ekerö
Ive never been particularly interested in defining my work through one style or visual language. I tend to follow intuition, colour, movement and whatever happens between memory, material and the thing Im trying to make.
I work across painting, collage and mixed media, using oils, oil sticks, pastels, cardboard and whatever else the work seems to need. Im drawn to cutting things apart, layering them, rebuilding them and leaving some of that construction visible.
My work often begins with something ordinary a flower, a vase, a bowl of fruit, a landscape and becomes something slightly less certain along the way. Shapes get simplified, proportions shift, colours stop behaving realistically and lines dont necessarily go where they should.
Im less interested in perfection than in what happens when I allow a work to stay a little raw, playful and unresolved.
For me, making art is a way of finding something I couldnt have planned in advance.