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Ewa Domagala
Still life with vase 2.0, 2026
Blandteknik
38 x 55 x 1 cm
This work combines hand-cut cardboard elements with oil paint in a layered still-life composition. The flowers are simplified into bold silhouettes, while the vase anchors the composition with rhythmic black linework and a strong vertical form.
The turquoise background contrasts with warm reds, pinks and greens, allowing the cut shapes to remain distinct while emphasizing the physical depth created by the collage. Soft, hand-drawn looping lines move across the background, introducing a quieter rhythm that balances the structured arrangement of the bouquet.
The exposed corrugated edges, painted surfaces and visible construction are intentionally retained, making the process of cutting, assembling and painting part of the finished work. Situated between painting, collage and low relief, the piece explores colour, form and material through a playful but carefully balanced composition.
Pricing on demand
Ewa Domagala
Still life with vase 2.0, 2026
Blandteknik
38 x 55 x 1 cm
This work combines hand-cut cardboard elements with oil paint in a layered still-life composition. The flowers are simplified into bold silhouettes, while the vase anchors the composition with rhythmic black linework and a strong vertical form.
The turquoise background contrasts with warm reds, pinks and greens, allowing the cut shapes to remain distinct while emphasizing the physical depth created by the collage. Soft, hand-drawn looping lines move across the background, introducing a quieter rhythm that balances the structured arrangement of the bouquet.
The exposed corrugated edges, painted surfaces and visible construction are intentionally retained, making the process of cutting, assembling and painting part of the finished work. Situated between painting, collage and low relief, the piece explores colour, form and material through a playful but carefully balanced composition.
Pricing on demand
Ewa Domagala
Ekerö
Ive never been particularly interested in defining my work through one style or visual language. I tend to follow intuition, colour, movement and whatever happens between memory, material and the thing Im trying to make.
I work across painting, collage and mixed media, using oils, oil sticks, pastels, cardboard and whatever else the work seems to need. Im drawn to cutting things apart, layering them, rebuilding them and leaving some of that construction visible.
My work often begins with something ordinary a flower, a vase, a bowl of fruit, a landscape and becomes something slightly less certain along the way. Shapes get simplified, proportions shift, colours stop behaving realistically and lines dont necessarily go where they should.
Im less interested in perfection than in what happens when I allow a work to stay a little raw, playful and unresolved.
For me, making art is a way of finding something I couldnt have planned in advance.