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Jörgen Thornberg
Pigsy lets go of her balloon - A Tribute to Banksy., 2025
Digital
50 x 70 cm
3 200 kr
Pigsy lets go of her balloon - A Tribute to Banksy.
In every era, art finds ways to reveal uncomfortable truths, and sometimes the loudest voices come from those who remain unseen. From Dante Alighieri’s time to the graffiti-covered alleyways of modern cities, artists have captured humanity’s deepest flaws and brightest hopes. One such voice is Banksy—a ghost in the urban landscape, a poet with a spray can. His works are both playful and piercing, striking a balance between wit and raw social commentary, stimulating our intellect with their cleverness and depth. The mystery of his identity adds to the charm of his art. Although his identity remains unknown, his messages are universally understood, crossing borders and languages. This essay examines how that elusive voice resonates even in quiet corners of Sweden—through exhibitions, reflections, and the symbolic act of letting a simple red balloon drift upwards.
“The Piglet and Her Balloon
On southern shore where seagulls glide,
a little piglet strolled with pride.
Her coat was gold, her hat a plume,
her heart aglow in pink-hued bloom.
Within her hoof, a crimson thread,
a heart-shaped balloon gently led.
It danced and swirled in ocean air,
a restless thing, too wild to snare.
She paused beneath the evening light,
the sea was calm, and the sky so bright.
The seagull watched with knowing eyes,
its wings spread wide across the skies.
She breathed — a sigh both soft and deep,
released the string she’d yearned to keep.
The balloon soared, a ruby spark,
above the dunes, beyond the dark.
No child’s mistake, no careless slip,
no gusty wind, no loose-tight grip —
but choice, pure choice, to set it free,
to give her dreams their wings to be.
For every girl behind closed doors,
in shadowed streets or distant shores,
The Piglet sent her message high:
Hope rides the wind, no chains can tie.”
Malmö July 2025
Setting the Balloon free
“They had their faces twisted toward their haunches
and found it necessary to walk backwards,
because they could not see ahead of them.
... and since he wanted so to see ahead,
he looks behind and walks a backwards path.”
The poem of Dante Alighieri, 'Inferno', may have influenced Banksy. Allegorically, the Renaissance poet’s work depicts a poor soul coming to understand sin for what it is. Dante’s beasts symbolise different types of evil, such as the self-indulgent, the violent, and the malicious, all of which are significant forces behind much of what Banksy is opposing. This connection to Dante's work provides a deeper understanding of the philosophical and moral foundations of Banksy's art, which frequently critiques societal norms and power structures, advocating for social justice and equality.
Whether Banksy has ever set foot in Skåne is a mystery. If they have, they've left no trace, no Iconic graffiti adorning our walls. There are murals in Malmö, but they lack the innovation and impact of Banksy's work. If Banksy were to visit our landscape, perhaps their ‘Girl with Balloon’ would find appreciation. It's a piece that speaks of love, a message that transcends borders and cultures.
The question lingers: did the girl lose her balloon to the wind, or did she release it intentionally? I can assure you, it was no mere accident.
In my picture, a little piglet named Pigsy was strolling along the beach in Falsterbo. It was one of those wonderful early summer days. The sky was glowing pink, and the mood was romantic. Despite the stunning early evening, the dunes were deserted, and the horizon was empty of boats. She looked happy in her new yellow coat and a nifty feathered hat. It must have been Sunday, for she had painted her nails and put on red lipstick. In her right hand, Pigsy held a matching red, heart-shaped balloon. It swayed lazily in the soft breeze.
She paused by the bathing pier, the only witness a seagull with eyes that seemed to see everything. Pigsy stopped, pondered, and then made a decision. She turned to the sea, stood still for a moment, and then set her balloon free. The seagull seemed to nod in approval. The seagull was free, as only a bird can be—so why shouldn’t a balloon be free too, free to carry its heartfelt message to the world?
The character 'Pigsy', a fictional representation of a young woman, wanted the balloon to serve as a symbol for all the young women worldwide who are not free: girls in Iran persecuted and poisoned by the regime, girls in Eastern Ukraine kidnapped by the Russians, and girls in Afghanistan enslaved by the brutal Taliban government. Pigsy had reflected deeply on the circumstances of other girls, recognising her fortune in being born in a free country, a democracy with an effective rule of law.
Over 30 million women and girls have been forced to flee their homes due to conflict, war, and persecution. In Sudan, Chad, the Central African Republic, Mali, and Niger, Muslim extremists repeatedly kill girls. They must flee for their lives. A girl on the run is very vulnerable, and being forced to leave her home and live in unfamiliar places can be life-threatening. Many more around the world are exposed to systematic hate crimes and persecution. This was the reason for Pigsy's symbolic act of freeing the balloon, a gesture that represents the hope for freedom and safety for these girls.
It's crucial to delve deeper into Pigsy’s decision and Banksy. Understanding the motivations and inspirations behind their work can provide valuable insights into the social issues they address and the impact of their art.
Banksy is undeniably the supreme king of street art. He is a genius and star artist who moves people by speaking to their souls with his sometimes ironic, sometimes political, but always poetic works. His influence on the art world is profound, inspiring a new generation of artists to challenge societal norms and push the boundaries of their craft.
World-famous yet shrouded in mystery - Banksy is the Bristol-born graffiti artist who remains anonymous. He is an artist renowned for challenging the boundaries of the art world, and his work has sparked controversy and headlines for years. Although he may not have visited Sweden in person, his art has had a lasting impact on the country.
The Banksy exhibition at Amiralen in Malmö, 2023, illustrated a striking paradox: the world’s most famous anonymous street artist, whose work was born out of rebellion against institutions, was being displayed within the formal confines of gallery spaces. This paradox raises questions about the commercialisation of street art and the tension between the artist's original intent and the way his work is now being consumed. Malmö, a city known for its history of political murals and grassroots creativity, served as a temporary venue for these travelling displays of anti-establishment imagery—framed, ticketed, and organised. The exhibitions did not showcase authenticated originals, certified stencils, or verified installations; instead, they featured reproductions and unofficial collections, offering audiences a curated glimpse into the Banksy phenomenon. For some, it was a rare chance to experience the messages and satire of Banksy firsthand; for others, it emphasised the contradictions of turning street art into a commodity. Yet, in Malmö—where the tensions between high culture and everyday life are always visible—the exhibitions served as more than just entertainment. They became mirrors reflecting modern society’s desire for protest, packaged and marketed, raising uncomfortable yet necessary questions about freedom, ownership, and the blurred boundaries between art, activism, and commerce.
The character 'Pigsy', a fictional representation of a young woman, wanted the balloon to serve as a symbol for all the young women worldwide who are not free: girls in Iran persecuted and poisoned by the regime, girls in Eastern Ukraine kidnapped by the Russians, and girls in Afghanistan enslaved by the brutal Taliban government. Pigsy had reflected deeply on the circumstances of other girls, recognising her fortune in being born in a free country, a democracy with an effective rule of law.
Over 30 million women and girls have been forced to flee their homes due to conflict, war, and persecution. In Sudan, Chad, the Central African Republic, Mali, and Niger, Muslim extremists repeatedly kill girls. They must flee for their lives. A girl on the run is very vulnerable, and being forced to leave her home and live in unfamiliar places can be life-threatening. Many more around the world are exposed to systematic hate crimes and persecution. This was the reason for Pigsy's symbolic act of freeing the balloon, a gesture that represents the hope for freedom and safety for these girls.
It's crucial to delve deeper into Pigsy’s decision and Banksy. Understanding the motivations and inspirations behind their work can provide valuable insights into the social issues they address and the impact of their art.
Banksy is undeniably the supreme king of street art. He is a genius and star artist who moves people by speaking to their souls with his sometimes ironic, sometimes political, but always poetic works. His influence on the art world is profound, inspiring a new generation of artists to challenge societal norms and push the boundaries of their craft.
World-famous yet shrouded in mystery - Banksy is the Bristol-born graffiti artist who remains anonymous. He is an artist renowned for challenging the boundaries of the art world, and his work has sparked controversy and headlines for years. Although he may not have visited Sweden in person, his art has had a lasting impact on the country.
The Banksy exhibition at Amiralen in Malmö, 2023, illustrated a striking paradox: the world’s most famous anonymous street artist, whose work was born out of rebellion against institutions, was being displayed within the formal confines of gallery spaces. This paradox raises questions about the commercialisation of street art and the tension between the artist's original intent and the way his work is now being consumed. Malmö, a city known for its history of political murals and grassroots creativity, served as a temporary venue for these travelling displays of anti-establishment imagery—framed, ticketed, and organised. The exhibitions did not showcase authenticated originals, certified stencils, or verified installations; instead, they featured reproductions and unofficial collections, offering audiences a curated glimpse into the Banksy phenomenon. For some, it was a rare chance to experience the messages and satire of Banksy firsthand; for others, it emphasised the contradictions of turning street art into a commodity. Yet, in Malmö—where the tensions between high culture and everyday life are always visible—the exhibitions served as more than just entertainment. They became mirrors reflecting modern society’s desire for protest, packaged and marketed, raising uncomfortable yet necessary questions about freedom, ownership, and the blurred boundaries between art, activism, and commerce.
O blind cupidity and insane anger,
which goad us on so much in our short life,
then steep us in such grief eternally!
Jörgen Thornberg
Pigsy lets go of her balloon - A Tribute to Banksy., 2025
Digital
50 x 70 cm
3 200 kr
Pigsy lets go of her balloon - A Tribute to Banksy.
In every era, art finds ways to reveal uncomfortable truths, and sometimes the loudest voices come from those who remain unseen. From Dante Alighieri’s time to the graffiti-covered alleyways of modern cities, artists have captured humanity’s deepest flaws and brightest hopes. One such voice is Banksy—a ghost in the urban landscape, a poet with a spray can. His works are both playful and piercing, striking a balance between wit and raw social commentary, stimulating our intellect with their cleverness and depth. The mystery of his identity adds to the charm of his art. Although his identity remains unknown, his messages are universally understood, crossing borders and languages. This essay examines how that elusive voice resonates even in quiet corners of Sweden—through exhibitions, reflections, and the symbolic act of letting a simple red balloon drift upwards.
“The Piglet and Her Balloon
On southern shore where seagulls glide,
a little piglet strolled with pride.
Her coat was gold, her hat a plume,
her heart aglow in pink-hued bloom.
Within her hoof, a crimson thread,
a heart-shaped balloon gently led.
It danced and swirled in ocean air,
a restless thing, too wild to snare.
She paused beneath the evening light,
the sea was calm, and the sky so bright.
The seagull watched with knowing eyes,
its wings spread wide across the skies.
She breathed — a sigh both soft and deep,
released the string she’d yearned to keep.
The balloon soared, a ruby spark,
above the dunes, beyond the dark.
No child’s mistake, no careless slip,
no gusty wind, no loose-tight grip —
but choice, pure choice, to set it free,
to give her dreams their wings to be.
For every girl behind closed doors,
in shadowed streets or distant shores,
The Piglet sent her message high:
Hope rides the wind, no chains can tie.”
Malmö July 2025
Setting the Balloon free
“They had their faces twisted toward their haunches
and found it necessary to walk backwards,
because they could not see ahead of them.
... and since he wanted so to see ahead,
he looks behind and walks a backwards path.”
The poem of Dante Alighieri, 'Inferno', may have influenced Banksy. Allegorically, the Renaissance poet’s work depicts a poor soul coming to understand sin for what it is. Dante’s beasts symbolise different types of evil, such as the self-indulgent, the violent, and the malicious, all of which are significant forces behind much of what Banksy is opposing. This connection to Dante's work provides a deeper understanding of the philosophical and moral foundations of Banksy's art, which frequently critiques societal norms and power structures, advocating for social justice and equality.
Whether Banksy has ever set foot in Skåne is a mystery. If they have, they've left no trace, no Iconic graffiti adorning our walls. There are murals in Malmö, but they lack the innovation and impact of Banksy's work. If Banksy were to visit our landscape, perhaps their ‘Girl with Balloon’ would find appreciation. It's a piece that speaks of love, a message that transcends borders and cultures.
The question lingers: did the girl lose her balloon to the wind, or did she release it intentionally? I can assure you, it was no mere accident.
In my picture, a little piglet named Pigsy was strolling along the beach in Falsterbo. It was one of those wonderful early summer days. The sky was glowing pink, and the mood was romantic. Despite the stunning early evening, the dunes were deserted, and the horizon was empty of boats. She looked happy in her new yellow coat and a nifty feathered hat. It must have been Sunday, for she had painted her nails and put on red lipstick. In her right hand, Pigsy held a matching red, heart-shaped balloon. It swayed lazily in the soft breeze.
She paused by the bathing pier, the only witness a seagull with eyes that seemed to see everything. Pigsy stopped, pondered, and then made a decision. She turned to the sea, stood still for a moment, and then set her balloon free. The seagull seemed to nod in approval. The seagull was free, as only a bird can be—so why shouldn’t a balloon be free too, free to carry its heartfelt message to the world?
The character 'Pigsy', a fictional representation of a young woman, wanted the balloon to serve as a symbol for all the young women worldwide who are not free: girls in Iran persecuted and poisoned by the regime, girls in Eastern Ukraine kidnapped by the Russians, and girls in Afghanistan enslaved by the brutal Taliban government. Pigsy had reflected deeply on the circumstances of other girls, recognising her fortune in being born in a free country, a democracy with an effective rule of law.
Over 30 million women and girls have been forced to flee their homes due to conflict, war, and persecution. In Sudan, Chad, the Central African Republic, Mali, and Niger, Muslim extremists repeatedly kill girls. They must flee for their lives. A girl on the run is very vulnerable, and being forced to leave her home and live in unfamiliar places can be life-threatening. Many more around the world are exposed to systematic hate crimes and persecution. This was the reason for Pigsy's symbolic act of freeing the balloon, a gesture that represents the hope for freedom and safety for these girls.
It's crucial to delve deeper into Pigsy’s decision and Banksy. Understanding the motivations and inspirations behind their work can provide valuable insights into the social issues they address and the impact of their art.
Banksy is undeniably the supreme king of street art. He is a genius and star artist who moves people by speaking to their souls with his sometimes ironic, sometimes political, but always poetic works. His influence on the art world is profound, inspiring a new generation of artists to challenge societal norms and push the boundaries of their craft.
World-famous yet shrouded in mystery - Banksy is the Bristol-born graffiti artist who remains anonymous. He is an artist renowned for challenging the boundaries of the art world, and his work has sparked controversy and headlines for years. Although he may not have visited Sweden in person, his art has had a lasting impact on the country.
The Banksy exhibition at Amiralen in Malmö, 2023, illustrated a striking paradox: the world’s most famous anonymous street artist, whose work was born out of rebellion against institutions, was being displayed within the formal confines of gallery spaces. This paradox raises questions about the commercialisation of street art and the tension between the artist's original intent and the way his work is now being consumed. Malmö, a city known for its history of political murals and grassroots creativity, served as a temporary venue for these travelling displays of anti-establishment imagery—framed, ticketed, and organised. The exhibitions did not showcase authenticated originals, certified stencils, or verified installations; instead, they featured reproductions and unofficial collections, offering audiences a curated glimpse into the Banksy phenomenon. For some, it was a rare chance to experience the messages and satire of Banksy firsthand; for others, it emphasised the contradictions of turning street art into a commodity. Yet, in Malmö—where the tensions between high culture and everyday life are always visible—the exhibitions served as more than just entertainment. They became mirrors reflecting modern society’s desire for protest, packaged and marketed, raising uncomfortable yet necessary questions about freedom, ownership, and the blurred boundaries between art, activism, and commerce.
The character 'Pigsy', a fictional representation of a young woman, wanted the balloon to serve as a symbol for all the young women worldwide who are not free: girls in Iran persecuted and poisoned by the regime, girls in Eastern Ukraine kidnapped by the Russians, and girls in Afghanistan enslaved by the brutal Taliban government. Pigsy had reflected deeply on the circumstances of other girls, recognising her fortune in being born in a free country, a democracy with an effective rule of law.
Over 30 million women and girls have been forced to flee their homes due to conflict, war, and persecution. In Sudan, Chad, the Central African Republic, Mali, and Niger, Muslim extremists repeatedly kill girls. They must flee for their lives. A girl on the run is very vulnerable, and being forced to leave her home and live in unfamiliar places can be life-threatening. Many more around the world are exposed to systematic hate crimes and persecution. This was the reason for Pigsy's symbolic act of freeing the balloon, a gesture that represents the hope for freedom and safety for these girls.
It's crucial to delve deeper into Pigsy’s decision and Banksy. Understanding the motivations and inspirations behind their work can provide valuable insights into the social issues they address and the impact of their art.
Banksy is undeniably the supreme king of street art. He is a genius and star artist who moves people by speaking to their souls with his sometimes ironic, sometimes political, but always poetic works. His influence on the art world is profound, inspiring a new generation of artists to challenge societal norms and push the boundaries of their craft.
World-famous yet shrouded in mystery - Banksy is the Bristol-born graffiti artist who remains anonymous. He is an artist renowned for challenging the boundaries of the art world, and his work has sparked controversy and headlines for years. Although he may not have visited Sweden in person, his art has had a lasting impact on the country.
The Banksy exhibition at Amiralen in Malmö, 2023, illustrated a striking paradox: the world’s most famous anonymous street artist, whose work was born out of rebellion against institutions, was being displayed within the formal confines of gallery spaces. This paradox raises questions about the commercialisation of street art and the tension between the artist's original intent and the way his work is now being consumed. Malmö, a city known for its history of political murals and grassroots creativity, served as a temporary venue for these travelling displays of anti-establishment imagery—framed, ticketed, and organised. The exhibitions did not showcase authenticated originals, certified stencils, or verified installations; instead, they featured reproductions and unofficial collections, offering audiences a curated glimpse into the Banksy phenomenon. For some, it was a rare chance to experience the messages and satire of Banksy firsthand; for others, it emphasised the contradictions of turning street art into a commodity. Yet, in Malmö—where the tensions between high culture and everyday life are always visible—the exhibitions served as more than just entertainment. They became mirrors reflecting modern society’s desire for protest, packaged and marketed, raising uncomfortable yet necessary questions about freedom, ownership, and the blurred boundaries between art, activism, and commerce.
O blind cupidity and insane anger,
which goad us on so much in our short life,
then steep us in such grief eternally!
3 200 kr
Jörgen Thornberg
Malmö
Lite om bilder och mig. Translation in English at the end.
Jag är en nyfiken person som ser allt i bilder, även det jag fäster i ord, gärna tillsammans för bakom alla mina bilder finns en berättelse. Till vissa bilder hör en kortare eller längre novell som följer med bilden.
Bilder berättar historier. Jag omges av naturlig skönhet, intressanta människor och historia var jag än går. Jag använder min kamera för att dokumentera världen och blanda det jag ser med vad jag känner för att fånga den dolda magin.
Mina bilder berättar mina historier. Genom mina bilder, tryck och berättelser. Jag bjuder in dig att ta del av dessa berättelser, in i ditt liv och hem och dela min mycket personliga syn på vår värld. Mer än vad ögat ser. Jag tänker i bilder, drömmer och skriver och pratar om dem; följaktligen måste jag också skapa bilder. De blir vad jag ser, inte nödvändigtvis begränsade till verkligheten. Det finns en bild runt varje hörn. Jag hoppas att du kommer att se vad jag såg och gilla det.
Jag är också en skrivande person och till många bilder hör en kortare eller längre essay. Den följer med tavlan, tryckt på fint papper och med en personlig hälsning från mig.
Flertalet bilder startar sin resa i min kamera. Enkelt förklarat beskriver jag bilden jag ser i mitt inre, upplevd eller fantiserad. Bilden uppstår inom mig redan innan jag fått okularet till ögat. På bråkdelen av ett ögonblick ser jag vad jag vill ha och vad som kan göras med bilden. Här skall jag stoppa in en giraff, stålmannen, Titanic eller vad det är min fantasi finner ut. Ännu märkligare är att jag kommer ihåg minnesbilden långt efteråt när det blir tid att skapa verket. Om jag lyckas eller inte, är upp till betraktaren, oftast präglat av en stråk av svart humor – meningen är att man skall bli underhållen. Mina bilder blir ofta en snackis där de hänger.
Jag föredrar bilder som förmedlar ett budskap i flera lager. Vid första anblicken fylld av feel-good, en vacker utsikt, fint väder, solen skiner, blommor på ängen eller vattnet som ligger förrädiskt spegelblankt. I en sådan bild kan jag gömma min egentliga berättelse, mitt förakt för förtryckare och våldsverkare, rasister och fördomsfulla människor - ett gärna återkommande motiv mer eller mindre dolt i det vackra motivet. Jag försöker förena dem i ett gemensamt narrativ.
Bild och formgivning har löpt som en röd tråd genom livet. Fotokonst känns som en värdig final som jag gärna delar med mig.
Min genre är vid som framgår av mina bilder, temat en blandning av pop- och gatukonst i kollage som kan bestå av hundratals lager. Vissa bilder kan ta veckor, andra någon dag innan det är dags att överlämna resultatet till printverkstaden. Fine Art Prints är digitala fotocollage. I dessa kollage sker rivandet, klippandet, pusslandet, målandet, ritandet och sprayningen digitalt. Det jag monterar in kan vara hundratals år gamla bilder som jag omsorgsfullt frilägger så att de ser ut att vara en del av tavlan men också bilder skapade av mig själv efter min egen fantasi. Därefter besöks printstudion och för vissa bilder numrera en limiterad upplaga (oftast 7 exemplar) och signera för hand. Vissa bilder kan köpas i olika format. Det är bara att fråga efter vilka. Gillar man en bild som är 70x100 men inte har plats på väggen, går den kanske att få i 50x70 cm istället. Frågan är fri.
Metoden Giclée eller Fine Art Print som det också kallas är det moderna sättet för framställning av grafisk konst. Villkoret för denna typ av utskrifter är att en högkvalitativ storformatskrivare används med åldersbeständigt färgpigment och konstnärspapper eller i förekommande fall på duk. Pappret som används möter de krav på livslängd som ställs av museer och gallerier. Normalt säljer jag mina bilder oinramade så att den nya ägaren själv kan bestämma hur de skall se ut, med eller utan passepartout färg på ram, med eller utan glas etc..
Under många år ställde jag bara ut på nätet, i valda grupper och på min egen Facebooksida - https://www.facebook.com/jorgen.thornberg.9
Jag finns också på en egen hemsida som tyvärr inte alltid är uppdaterad – https://www.jth.life/ Där kan du också läsa en del av de berättelser som följer med bilden.
UTSTÄLLNINGAR
Luftkastellet, oktober 2022
Konst i Lund, november 2022
Luftkastellet, mars 2023
Engleson Galleri Caroli, april 2023
Hydra, Greece June 2023
Engleson Galleri Caroli, oktober 2023
Toppen, Höllviken december 2023
Luftkastellet, mars 2024
Torups Galleri, mars 2024
Venice, May 2024
Luftkastellet, oktober 2024
Konst i Advent, December 2024
Galleri Engleson, Caroli December 2024
Jäger & Jansson Galleri, april 2025
A bit about pictures and me.
I'm a curious person who sees everything in pictures, even what I express in words, often combining them, for behind all my pictures lies a story. These narratives, some as short as a single image and others as long as a novel, are the heart and soul of my work.
Pictures tell stories. Wherever I go, I'm surrounded by natural beauty, exciting people, and history. I use my camera to document the world and blend what I see with what I feel to capture the hidden magic.
My images tell my stories. Through my pictures, prints, and narratives, I invite you to partake in these stories in your life and home and share my deeply personal perspective of our world. More than meets the eye. I think in pictures, dream, write, and talk about them; consequently, I must create images too. They become what I see, not necessarily confined to reality. There's a picture around every corner. I hope you'll see what I saw and enjoy it.
I'm also a writer, and many images come with a shorter or longer essay. It accompanies the painting, printed on fine paper with my personal greeting.
Many pictures start their journey on my camera. Simply put, I describe the image I see in my mind, experienced or imagined. The image arises within me even before I bring the eyepiece to my eye. In a fraction of a moment, I see what I want and what can be done with the picture. Here, I'll insert a giraffe, Superman, the Titanic, or whatever my imagination conjures up. Even stranger is that I remember the mental image long after it's time to create the work. Whether I succeed is up to the observer, often imbued with a streak of black humour – the aim is to entertain. My pictures usually become a talking point wherever they hang.
I prefer pictures that convey a message in multiple layers. At first glance, they're filled with feel-good vibes, a beautiful view, lovely weather, the sun shining, flowers in the meadow, or the water lying deceptively calm. But beneath this surface beauty, I often conceal a deeper story, a narrative that challenges societal norms or explores the human condition. I invite you to delve into these hidden narratives and discover the layers of meaning within my work.
Picture and design have been a thread running through my life. Photographic art feels like a fitting finale, and I'm happy to share it.
My genre is varied, as seen in my pictures; the theme is a blend of pop and street art in collages that can consist of hundreds of layers. Some images can take weeks, others just a day before it's time to hand over the result to the print workshop. Fine Art Prints are digital photo collages. In these collages, tearing, cutting, puzzling, painting, drawing, and spraying happen digitally. What I insert can be images hundreds of years old that I carefully extract so they appear to be part of the painting, but also images created by myself, now also generated from my imagination. Next, visit the print studio and, for certain images, number a limited edition (usually 7 copies) and sign them by hand. Some images may be available in other formats. Just ask which ones. If you like an image that's 70x100 but doesn't have space on the wall, you might be able to get it in 50x70 cm instead. The question is open.
The Giclée method, or Fine Art Print as it's also called, is the modern way of producing graphic art. This method ensures the highest quality and longevity of the artwork, using a high-quality large-format printer with archival pigment inks and artist paper or, in some cases, canvas. The paper used meets the longevity requirements set by museums and galleries. I sell my pictures unframed, allowing the new owner to personalise their artwork, confident in the lasting value and quality of the piece.
For many years, I only exhibited online, in selected groups, and on my Facebook page - https://www.facebook.com/jorgen.thornberg.9. I also have my website, which unfortunately is not constantly updated - https://www.jth.life/. You can also read some of the stories accompanying the pictures there.
EXHIBITIONS
Luftkastellet, October 2022
Art in Lund, November 2022
Luftkastellet, March 2023
Engleson Gallery Caroli, April 2023
Hydra, Greece June 2023
Engleson Gallery Caroli, October 2023
Toppen, Höllviken December 2023
Luftkastellet, March 2024
Torup Gallery, March 2024
Venice, May 2024
UTSTÄLLNINGAR
Luftkastellet, oktober 2022
Konst i Lund, november 2022
Luftkastellet, mars 2023
Engleson Galleri Caroli, april 2023
Hydra, Greece June 2023
Engleson Galleri Caroli, oktober 2023
Toppen, Höllviken december 2023
Luftkastellet, mars 2024
Torups Galleri, mars 2024
Venice, May 2024
Luftkastellet, October 2024
Konst i Advent, December 2024
Galleri Engleson, Caroli December 2024
Jäger & Jansson Galleri, April 2025
Utbildning
Autodidakt
Medlem i konstnärsförening
Öppna Sinnen
Med i konstrunda
Konstrundan i Skåne
Utställningar
Luftkastellet, October 2022
Art in Lund, November 2022
Luftkastellet, March 2023
Engleson Gallery Caroli, April 2023
Hydra, Greece June 2023
Engleson Gallery Caroli, October 2023
Toppen, Höllviken December 2023
Luftkastellet, March 2024
Torup Gallery, March 2024
Venice, May 2024