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Jörgen Thornberg
Cheers says Frida, 2025
Digital
50 x 70 cm
3 200 kr
Cheers says Frida
Frida and the Universal Toast: A New Year’s Tale
Frida Kahlo raised her glass high in Malmö’s Old City Hall, where chandeliers cast their golden glow over a grand New Year’s Gala. Dressed in vibrant traditional Mexican attire, with her signature floral crown perched proudly atop her head, she was as much a work of art as the paintings she was known for. Surrounded by luminaries of culture and art, she spoke with her characteristic warmth and candour, seamlessly blending personal reflection with profound truths.
As she toasted with writers, actors, and artists worldwide, Frida mused on themes of renewal and transformation, likening them to the cycles of nature so often depicted in her work. “Life,” she said with a sparkle in her eye, “is like a flower—its bloom, decay, and rebirth. Each year is just another petal on the great canvas of time.”
With champagne flowing and laughter echoing, the room united in a universal cheer. “Skål! Cheers! Santé! Prost! ¡Salud!” Each toast became a brushstroke, painting a moment of shared humanity, a fleeting masterpiece in a night of timeless celebration.
Frida’s presence elevated the gala, reminding everyone that art, like life, is a cycle of pain and beauty, loss and creation. And as the clock struck midnight, her voice rang clear above the joyous din:
“To life, to art, to change! May we all have the courage to create anew, year after year.”
Will you join the party? Please read on and delve deeper into the story behind her joy.
“A Toast to the World!
Skål! the Swedes began with flair,
As glasses clinked high in the air.
Cheers! chimed the English, loud and clear,
The party thrummed with festive cheer.
Santé! cried the French, refined yet bold,
Prost! sang the Germans, their beer mugs cold.
Salute! the Italians, a melody sweet,
¡Salud! called the Spaniards, stamping their feet.
Saúde! The Brazilians swayed with the beat,
Γεια μας! sang the Greeks, their joy complete.
За здоров’я! the Ukrainians cheered,
Their voices strong, their laughter sincere.
Kippis! said the Finns with a hearty grin,
乾杯! The Japanese let the toasts begin.
干杯! from China, with glasses raised,
A universal chorus, the world amazed.
Then, in strode Goofy, a bottle in hand,
Tripping and tumbling, unable to stand.
"Cheeerrrsshh!” he exclaimed, his balance awry,
Sending champagne corks to the sky.
The crowd erupted, a mix of delight,
As Goofy spun circles under the light.
"Cheeahhhs!” he yelled, with a comic flair,
While juggling flutes in the midnight air.
Prost! The Germans laughed at his show,
Santé! The French whispered, "What a beau!"
Saúde! the Brazilians joined the spree,
While the Greeks roared, "Γεια μας! What a jubilee!"
Yet through the chaos, Frida stood tall,
A glass in her hand, commanding it all.
“Goofy,” she called, “you’ve outdone us tonight,
But art and wine make the world feel right.”
With a final toast, the hall went still,
The crowd united in festive thrill.
To Goofy, Frida, and all who unite,
“Skål!” to the world and its endless delight!
Malmö January 2025
A New Year’s Tale
That Frida Kahlo raised a glass was nothing unusual during her time on Earth, nor on her own or other stars. Both she and Diego loved to celebrate, whether together or apart. For many, New Year’s Eve marks the pinnacle of festivities, and with it comes champagne. Bubbly drinks are strongly associated with celebrations, especially during New Year’s, leading to a significant increase in consumption during this period compared to the rest of the year.
Dean Martin, who was rarely seen without a glass in hand—his trademark—once quipped that the only dry day of the year for him, the one day he didn’t drink alcohol, was New Year’s Eve. "It’s the holiday for amateurs, and that’s when I abstain," he would joke.
The image above shows a cheerful Frida raising her glass to all who enjoy bubbly. It was New Year’s Eve, 1938, and Frida had just celebrated her first solo exhibition at the Julien Levy Gallery in New York. This marked a pivotal moment in her career, recognising her as an independent artist. She had been invited to a grand New Year’s party sponsored by Disney. She attended alone, as Diego was banned from the event following an incident in 1933 involving his large mural painting there.
Little did she know that Goofy would steal all the attention. While people had seen him stumbling around on the silver screen, seeing him in person was entirely different. Goofy became quite tipsy among the tuxedo-clad gentlemen and their elegantly dressed ladies. As she often did, Frida herself wore something inspired by traditional Mexican folk culture and, of course, her crown of fresh flowers.
Apart from her love of festivities, there was nothing particularly significant about New Year’s for Frida. But let her tell the story herself.
Frida stood in the grand hall of Malmö's Old City Hall, her glass of champagne catching the golden light of the chandeliers above. It was Malmö's New Year Gala 2024/25, and the theatre closed. The air buzzed with lively chatter, clinking glasses, and the laughter of artists, performers, and cultural figures who had gathered to bid farewell to the old year and welcome the new.
“I have no particular ties to New Year’s celebrations,” Frida began, raising her glass to a group of admirers who recognised her instantly. Her iconic presence—her embroidered blouse, colourful skirts, and trademark unibrow—stood out even in this elegant crowd. “But isn’t it fascinating how this time of year invites us all to pause, reflect, and begin anew? I have always been intrigued by the cycles of life, pain, and rebirth. They are universal themes, and I suppose they’ve woven themselves into my art in some ways.”
One guest leaned in, eager to hear more. “Do you see your art as part of that renewal?”
Frida sipped her champagne thoughtfully before answering. “Absolutely. My paintings often reflect resilience and the idea of reinventing oneself after hardship. ‘The Broken Column’ and ‘Self-Portrait with Thorn Necklace and Hummingbird’ are not just windows into my pain but also declarations of survival and transformation. Isn’t that what New Year’s is about? A time to look back, yes, but also to choose how we move forward?”
She turned, exchanging a toast with a young actress who beamed with excitement. “Frida, your art gives us the courage to embrace ourselves,” the woman said.
Frida smiled, her dark eyes sparkling. “Gracias. But tell me—how do you celebrate New Year’s here in Sweden? Is it filled with traditions like our Mexican ‘Día de los Muertos,’ or just champagne and fireworks?”
Before anyone could answer, another guest chimed in, “Frida, do you think of New Year’s as symbolic in your life or work?”
Frida laughed softly, tilting her head. “Symbolic? Perhaps indirectly. Diego and I hosted many gatherings—full of music, laughter, debates, and, of course, tequila. They weren’t always tied to specific holidays but to moments of connection. New Year’s celebrations? They might have been just another excuse for us to surround ourselves with our friends, laugh, argue, and dream. I suppose that spirit aligns with this night as well.”
Another glass clinked against hers, this time from a writer who admired her use of nature in her art. “You often paint flowers, fruits, and the changing seasons. Do they tie into the idea of time and renewal?”
Frida’s expression softened. “Yes, nature speaks to me of life’s cycles—the beauty of growth, the inevitability of decay, and the promise of renewal. Look at a flower: it blooms and wilts, yet its seeds bring new life. That cycle... it’s present in so much of what I paint. Isn’t it the same with time? With love? Even with pain?”
As the clock neared midnight, Frida was surrounded by a mix of old souls and new admirers. Someone asked about her thoughts on resolutions.
“Resolutions?” she mused. “I don’t believe in waiting for a date to change your life. Transformation happens when it must—when life forces you to face yourself. For me, it was my accident, my pain, and my art. Perhaps it’s love or loss or even an ordinary moment for others. But if tonight inspires people to dream and grow, who am I to question it?”
The crowd counted down as fireworks lit up the frosty night outside. As the room erupted in cheers, Frida raised her glass again, her voice clear and steady: “To life, to art, to change! May we always find the courage to paint our truths, no matter the year or the moment.”
And with that, Frida Kahlo, ever the artist, ever the enigma, embraced the timeless celebration, leaving those around her with a memory as vivid as her paintings.
Skål! Cheers! Santé! Prost! Salute! ¡Salud! Saúde! Γεια μας! За здоров’я! Kippis! 乾杯! 干杯!
Jörgen Thornberg
Cheers says Frida, 2025
Digital
50 x 70 cm
3 200 kr
Cheers says Frida
Frida and the Universal Toast: A New Year’s Tale
Frida Kahlo raised her glass high in Malmö’s Old City Hall, where chandeliers cast their golden glow over a grand New Year’s Gala. Dressed in vibrant traditional Mexican attire, with her signature floral crown perched proudly atop her head, she was as much a work of art as the paintings she was known for. Surrounded by luminaries of culture and art, she spoke with her characteristic warmth and candour, seamlessly blending personal reflection with profound truths.
As she toasted with writers, actors, and artists worldwide, Frida mused on themes of renewal and transformation, likening them to the cycles of nature so often depicted in her work. “Life,” she said with a sparkle in her eye, “is like a flower—its bloom, decay, and rebirth. Each year is just another petal on the great canvas of time.”
With champagne flowing and laughter echoing, the room united in a universal cheer. “Skål! Cheers! Santé! Prost! ¡Salud!” Each toast became a brushstroke, painting a moment of shared humanity, a fleeting masterpiece in a night of timeless celebration.
Frida’s presence elevated the gala, reminding everyone that art, like life, is a cycle of pain and beauty, loss and creation. And as the clock struck midnight, her voice rang clear above the joyous din:
“To life, to art, to change! May we all have the courage to create anew, year after year.”
Will you join the party? Please read on and delve deeper into the story behind her joy.
“A Toast to the World!
Skål! the Swedes began with flair,
As glasses clinked high in the air.
Cheers! chimed the English, loud and clear,
The party thrummed with festive cheer.
Santé! cried the French, refined yet bold,
Prost! sang the Germans, their beer mugs cold.
Salute! the Italians, a melody sweet,
¡Salud! called the Spaniards, stamping their feet.
Saúde! The Brazilians swayed with the beat,
Γεια μας! sang the Greeks, their joy complete.
За здоров’я! the Ukrainians cheered,
Their voices strong, their laughter sincere.
Kippis! said the Finns with a hearty grin,
乾杯! The Japanese let the toasts begin.
干杯! from China, with glasses raised,
A universal chorus, the world amazed.
Then, in strode Goofy, a bottle in hand,
Tripping and tumbling, unable to stand.
"Cheeerrrsshh!” he exclaimed, his balance awry,
Sending champagne corks to the sky.
The crowd erupted, a mix of delight,
As Goofy spun circles under the light.
"Cheeahhhs!” he yelled, with a comic flair,
While juggling flutes in the midnight air.
Prost! The Germans laughed at his show,
Santé! The French whispered, "What a beau!"
Saúde! the Brazilians joined the spree,
While the Greeks roared, "Γεια μας! What a jubilee!"
Yet through the chaos, Frida stood tall,
A glass in her hand, commanding it all.
“Goofy,” she called, “you’ve outdone us tonight,
But art and wine make the world feel right.”
With a final toast, the hall went still,
The crowd united in festive thrill.
To Goofy, Frida, and all who unite,
“Skål!” to the world and its endless delight!
Malmö January 2025
A New Year’s Tale
That Frida Kahlo raised a glass was nothing unusual during her time on Earth, nor on her own or other stars. Both she and Diego loved to celebrate, whether together or apart. For many, New Year’s Eve marks the pinnacle of festivities, and with it comes champagne. Bubbly drinks are strongly associated with celebrations, especially during New Year’s, leading to a significant increase in consumption during this period compared to the rest of the year.
Dean Martin, who was rarely seen without a glass in hand—his trademark—once quipped that the only dry day of the year for him, the one day he didn’t drink alcohol, was New Year’s Eve. "It’s the holiday for amateurs, and that’s when I abstain," he would joke.
The image above shows a cheerful Frida raising her glass to all who enjoy bubbly. It was New Year’s Eve, 1938, and Frida had just celebrated her first solo exhibition at the Julien Levy Gallery in New York. This marked a pivotal moment in her career, recognising her as an independent artist. She had been invited to a grand New Year’s party sponsored by Disney. She attended alone, as Diego was banned from the event following an incident in 1933 involving his large mural painting there.
Little did she know that Goofy would steal all the attention. While people had seen him stumbling around on the silver screen, seeing him in person was entirely different. Goofy became quite tipsy among the tuxedo-clad gentlemen and their elegantly dressed ladies. As she often did, Frida herself wore something inspired by traditional Mexican folk culture and, of course, her crown of fresh flowers.
Apart from her love of festivities, there was nothing particularly significant about New Year’s for Frida. But let her tell the story herself.
Frida stood in the grand hall of Malmö's Old City Hall, her glass of champagne catching the golden light of the chandeliers above. It was Malmö's New Year Gala 2024/25, and the theatre closed. The air buzzed with lively chatter, clinking glasses, and the laughter of artists, performers, and cultural figures who had gathered to bid farewell to the old year and welcome the new.
“I have no particular ties to New Year’s celebrations,” Frida began, raising her glass to a group of admirers who recognised her instantly. Her iconic presence—her embroidered blouse, colourful skirts, and trademark unibrow—stood out even in this elegant crowd. “But isn’t it fascinating how this time of year invites us all to pause, reflect, and begin anew? I have always been intrigued by the cycles of life, pain, and rebirth. They are universal themes, and I suppose they’ve woven themselves into my art in some ways.”
One guest leaned in, eager to hear more. “Do you see your art as part of that renewal?”
Frida sipped her champagne thoughtfully before answering. “Absolutely. My paintings often reflect resilience and the idea of reinventing oneself after hardship. ‘The Broken Column’ and ‘Self-Portrait with Thorn Necklace and Hummingbird’ are not just windows into my pain but also declarations of survival and transformation. Isn’t that what New Year’s is about? A time to look back, yes, but also to choose how we move forward?”
She turned, exchanging a toast with a young actress who beamed with excitement. “Frida, your art gives us the courage to embrace ourselves,” the woman said.
Frida smiled, her dark eyes sparkling. “Gracias. But tell me—how do you celebrate New Year’s here in Sweden? Is it filled with traditions like our Mexican ‘Día de los Muertos,’ or just champagne and fireworks?”
Before anyone could answer, another guest chimed in, “Frida, do you think of New Year’s as symbolic in your life or work?”
Frida laughed softly, tilting her head. “Symbolic? Perhaps indirectly. Diego and I hosted many gatherings—full of music, laughter, debates, and, of course, tequila. They weren’t always tied to specific holidays but to moments of connection. New Year’s celebrations? They might have been just another excuse for us to surround ourselves with our friends, laugh, argue, and dream. I suppose that spirit aligns with this night as well.”
Another glass clinked against hers, this time from a writer who admired her use of nature in her art. “You often paint flowers, fruits, and the changing seasons. Do they tie into the idea of time and renewal?”
Frida’s expression softened. “Yes, nature speaks to me of life’s cycles—the beauty of growth, the inevitability of decay, and the promise of renewal. Look at a flower: it blooms and wilts, yet its seeds bring new life. That cycle... it’s present in so much of what I paint. Isn’t it the same with time? With love? Even with pain?”
As the clock neared midnight, Frida was surrounded by a mix of old souls and new admirers. Someone asked about her thoughts on resolutions.
“Resolutions?” she mused. “I don’t believe in waiting for a date to change your life. Transformation happens when it must—when life forces you to face yourself. For me, it was my accident, my pain, and my art. Perhaps it’s love or loss or even an ordinary moment for others. But if tonight inspires people to dream and grow, who am I to question it?”
The crowd counted down as fireworks lit up the frosty night outside. As the room erupted in cheers, Frida raised her glass again, her voice clear and steady: “To life, to art, to change! May we always find the courage to paint our truths, no matter the year or the moment.”
And with that, Frida Kahlo, ever the artist, ever the enigma, embraced the timeless celebration, leaving those around her with a memory as vivid as her paintings.
Skål! Cheers! Santé! Prost! Salute! ¡Salud! Saúde! Γεια μας! За здоров’я! Kippis! 乾杯! 干杯!
3 200 kr
Jörgen Thornberg
Malmö
Lite om bilder och mig. Translation in English at the end.
Jag är en nyfiken person som ser allt i bilder, även det jag fäster i ord, gärna tillsammans för bakom alla mina bilder finns en berättelse. Till vissa bilder hör en kortare eller längre novell som följer med bilden.
Bilder berättar historier. Jag omges av naturlig skönhet, intressanta människor och historia var jag än går. Jag använder min kamera för att dokumentera världen och blanda det jag ser med vad jag känner för att fånga den dolda magin.
Mina bilder berättar mina historier. Genom mina bilder, tryck och berättelser. Jag bjuder in dig att ta del av dessa berättelser, in i ditt liv och hem och dela min mycket personliga syn på vår värld. Mer än vad ögat ser. Jag tänker i bilder, drömmer och skriver och pratar om dem; följaktligen måste jag också skapa bilder. De blir vad jag ser, inte nödvändigtvis begränsade till verkligheten. Det finns en bild runt varje hörn. Jag hoppas att du kommer att se vad jag såg och gilla det.
Jag är också en skrivande person och till många bilder hör en kortare eller längre essay. Den följer med tavlan, tryckt på fint papper och med en personlig hälsning från mig.
Flertalet bilder startar sin resa i min kamera. Enkelt förklarat beskriver jag bilden jag ser i mitt inre, upplevd eller fantiserad. Bilden uppstår inom mig redan innan jag fått okularet till ögat. På bråkdelen av ett ögonblick ser jag vad jag vill ha och vad som kan göras med bilden. Här skall jag stoppa in en giraff, stålmannen, Titanic eller vad det är min fantasi finner ut. Ännu märkligare är att jag kommer ihåg minnesbilden långt efteråt när det blir tid att skapa verket. Om jag lyckas eller inte, är upp till betraktaren, oftast präglat av en stråk av svart humor – meningen är att man skall bli underhållen. Mina bilder blir ofta en snackis där de hänger.
Jag föredrar bilder som förmedlar ett budskap i flera lager. Vid första anblicken fylld av feel-good, en vacker utsikt, fint väder, solen skiner, blommor på ängen eller vattnet som ligger förrädiskt spegelblankt. I en sådan bild kan jag gömma min egentliga berättelse, mitt förakt för förtryckare och våldsverkare, rasister och fördomsfulla människor - ett gärna återkommande motiv mer eller mindre dolt i det vackra motivet. Jag försöker förena dem i ett gemensamt narrativ.
Bild och formgivning har löpt som en röd tråd genom livet. Fotokonst känns som en värdig final som jag gärna delar med mig.
Min genre är vid som framgår av mina bilder, temat en blandning av pop- och gatukonst i kollage som kan bestå av hundratals lager. Vissa bilder kan ta veckor, andra någon dag innan det är dags att överlämna resultatet till printverkstaden. Fine Art Prints är digitala fotocollage. I dessa kollage sker rivandet, klippandet, pusslandet, målandet, ritandet och sprayningen digitalt. Det jag monterar in kan vara hundratals år gamla bilder som jag omsorgsfullt frilägger så att de ser ut att vara en del av tavlan men också bilder skapade av mig själv efter min egen fantasi. Därefter besöks printstudion och för vissa bilder numrera en limiterad upplaga (oftast 7 exemplar) och signera för hand. Vissa bilder kan köpas i olika format. Det är bara att fråga efter vilka. Gillar man en bild som är 70x100 men inte har plats på väggen, går den kanske att få i 50x70 cm istället. Frågan är fri.
Metoden Giclée eller Fine Art Print som det också kallas är det moderna sättet för framställning av grafisk konst. Villkoret för denna typ av utskrifter är att en högkvalitativ storformatskrivare används med åldersbeständigt färgpigment och konstnärspapper eller i förekommande fall på duk. Pappret som används möter de krav på livslängd som ställs av museer och gallerier. Normalt säljer jag mina bilder oinramade så att den nya ägaren själv kan bestämma hur de skall se ut, med eller utan passepartout färg på ram, med eller utan glas etc..
Under många år ställde jag bara ut på nätet, i valda grupper och på min egen Facebooksida - https://www.facebook.com/jorgen.thornberg.9
Jag finns också på en egen hemsida som tyvärr inte alltid är uppdaterad – https://www.jth.life/ Där kan du också läsa en del av de berättelser som följer med bilden.
UTSTÄLLNINGAR
Luftkastellet, oktober 2022
Konst i Lund, november 2022
Luftkastellet, mars 2023
Engleson Galleri Caroli, april 2023
Hydra, Greece June 2023
Engleson Galleri Caroli, oktober 2023
Toppen, Höllviken december 2023
Luftkastellet, mars 2024
Torups Galleri, mars 2024
Venice, May 2024
Luftkastellet, oktober 2024
Konst i Advent, December 2024
Galleri Engleson, Caroli December 2024
Jäger & Jansson Galleri, april 2025
A bit about pictures and me.
I'm a curious person who sees everything in pictures, even what I express in words, often combining them, for behind all my pictures lies a story. These narratives, some as short as a single image and others as long as a novel, are the heart and soul of my work.
Pictures tell stories. Wherever I go, I'm surrounded by natural beauty, exciting people, and history. I use my camera to document the world and blend what I see with what I feel to capture the hidden magic.
My images tell my stories. Through my pictures, prints, and narratives, I invite you to partake in these stories in your life and home and share my deeply personal perspective of our world. More than meets the eye. I think in pictures, dream, write, and talk about them; consequently, I must create images too. They become what I see, not necessarily confined to reality. There's a picture around every corner. I hope you'll see what I saw and enjoy it.
I'm also a writer, and many images come with a shorter or longer essay. It accompanies the painting, printed on fine paper with my personal greeting.
Many pictures start their journey on my camera. Simply put, I describe the image I see in my mind, experienced or imagined. The image arises within me even before I bring the eyepiece to my eye. In a fraction of a moment, I see what I want and what can be done with the picture. Here, I'll insert a giraffe, Superman, the Titanic, or whatever my imagination conjures up. Even stranger is that I remember the mental image long after it's time to create the work. Whether I succeed is up to the observer, often imbued with a streak of black humour – the aim is to entertain. My pictures usually become a talking point wherever they hang.
I prefer pictures that convey a message in multiple layers. At first glance, they're filled with feel-good vibes, a beautiful view, lovely weather, the sun shining, flowers in the meadow, or the water lying deceptively calm. But beneath this surface beauty, I often conceal a deeper story, a narrative that challenges societal norms or explores the human condition. I invite you to delve into these hidden narratives and discover the layers of meaning within my work.
Picture and design have been a thread running through my life. Photographic art feels like a fitting finale, and I'm happy to share it.
My genre is varied, as seen in my pictures; the theme is a blend of pop and street art in collages that can consist of hundreds of layers. Some images can take weeks, others just a day before it's time to hand over the result to the print workshop. Fine Art Prints are digital photo collages. In these collages, tearing, cutting, puzzling, painting, drawing, and spraying happen digitally. What I insert can be images hundreds of years old that I carefully extract so they appear to be part of the painting, but also images created by myself, now also generated from my imagination. Next, visit the print studio and, for certain images, number a limited edition (usually 7 copies) and sign them by hand. Some images may be available in other formats. Just ask which ones. If you like an image that's 70x100 but doesn't have space on the wall, you might be able to get it in 50x70 cm instead. The question is open.
The Giclée method, or Fine Art Print as it's also called, is the modern way of producing graphic art. This method ensures the highest quality and longevity of the artwork, using a high-quality large-format printer with archival pigment inks and artist paper or, in some cases, canvas. The paper used meets the longevity requirements set by museums and galleries. I sell my pictures unframed, allowing the new owner to personalise their artwork, confident in the lasting value and quality of the piece.
For many years, I only exhibited online, in selected groups, and on my Facebook page - https://www.facebook.com/jorgen.thornberg.9. I also have my website, which unfortunately is not constantly updated - https://www.jth.life/. You can also read some of the stories accompanying the pictures there.
EXHIBITIONS
Luftkastellet, October 2022
Art in Lund, November 2022
Luftkastellet, March 2023
Engleson Gallery Caroli, April 2023
Hydra, Greece June 2023
Engleson Gallery Caroli, October 2023
Toppen, Höllviken December 2023
Luftkastellet, March 2024
Torup Gallery, March 2024
Venice, May 2024
UTSTÄLLNINGAR
Luftkastellet, oktober 2022
Konst i Lund, november 2022
Luftkastellet, mars 2023
Engleson Galleri Caroli, april 2023
Hydra, Greece June 2023
Engleson Galleri Caroli, oktober 2023
Toppen, Höllviken december 2023
Luftkastellet, mars 2024
Torups Galleri, mars 2024
Venice, May 2024
Luftkastellet, October 2024
Konst i Advent, December 2024
Galleri Engleson, Caroli December 2024
Jäger & Jansson Galleri, April 2025
Utbildning
Autodidakt
Medlem i konstnärsförening
Öppna Sinnen
Med i konstrunda
Konstrundan i Skåne
Utställningar
Luftkastellet, October 2022
Art in Lund, November 2022
Luftkastellet, March 2023
Engleson Gallery Caroli, April 2023
Hydra, Greece June 2023
Engleson Gallery Caroli, October 2023
Toppen, Höllviken December 2023
Luftkastellet, March 2024
Torup Gallery, March 2024
Venice, May 2024