Akrylmålning Dopamine av Amelia Coward

Amelia Coward

Dopamine, 2026

Akryl
70 x 70 x 1 cm

29 000 kr

Rich colours tones combined with bright fluoro colours and a splash of metallic and gloss create a vibrant geometric 3D artwork.

This original abstract geometric wood painting uses layers of paint and varnish to create glossy, contrasting colours across birch wood boards. 64 brightly coloured 7cm dots are laser-cut from the boards, each selected by colour to create a geometric collage.

Available unframed or framed in a solid wood black or white box frame. We use museum-quality UV perspex glaze to protect the artwork from fade.

Framed size:70cm x 70cm

Carefully wrapped and packaged inside a custom-made box with protective corners for safe shipping worldwide.

Akrylmålning Dopamine av Amelia Coward

Amelia Coward

Dopamine, 2026

Akryl
70 x 70 x 1 cm

29 000 kr

Rich colours tones combined with bright fluoro colours and a splash of metallic and gloss create a vibrant geometric 3D artwork.

This original abstract geometric wood painting uses layers of paint and varnish to create glossy, contrasting colours across birch wood boards. 64 brightly coloured 7cm dots are laser-cut from the boards, each selected by colour to create a geometric collage.

Available unframed or framed in a solid wood black or white box frame. We use museum-quality UV perspex glaze to protect the artwork from fade.

Framed size:70cm x 70cm

Carefully wrapped and packaged inside a custom-made box with protective corners for safe shipping worldwide.

29 000 kr

Amelia Coward

Amelia Coward

Boughton-under-Blean, Faversham

Amelia Coward is a Kent based artist best known for her explorations into mixing, blending and grading colours.

1st class honours from

Having received training based upon the colour theory teachings of Josef Albers, Amelia creates artworks that focus on the interaction of colours. Her works are carefully composed studies of spacial balance between geometric coloured elements such as circles and stripes. Influenced heavily by her woven textile training she uses laser cutters much the same way as she was trained to use a loom, cutting geometric shapes then reassembling them in patchwork compositions. Her works move dramatically from highly detailed dot pieces containing sometimes 1000’s of raised hand-painted dots to large scale striped pieces comprised of contrasting scales and bold clashing colours.

Utbildning
Central St Martins London
MA Royal College of Art London

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