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Ewa Domagala
Utan titel, 2016
Olja
90 x 65 x 1 cm
Serwnity
Oil on canvas
Painted while pregnant with my second son, this work marks a shift from fragmentation toward stillness and inner integration.
The solitary figure facing the sea becomes less a portrait and more a state of being suspended between silence, presence and emotional vastness. Simplified forms and bold colour fields create a quiet tension between body and landscape, introspection and openness.
Influenced by contemporary figurative painting and modernist simplification of form, the work explores themes of identity, femininity, motherhood and belonging through restraint, atmosphere and colour.
Pricing on demand.

Ewa Domagala
Utan titel, 2016
Olja
90 x 65 x 1 cm
Serwnity
Oil on canvas
Painted while pregnant with my second son, this work marks a shift from fragmentation toward stillness and inner integration.
The solitary figure facing the sea becomes less a portrait and more a state of being suspended between silence, presence and emotional vastness. Simplified forms and bold colour fields create a quiet tension between body and landscape, introspection and openness.
Influenced by contemporary figurative painting and modernist simplification of form, the work explores themes of identity, femininity, motherhood and belonging through restraint, atmosphere and colour.
Pricing on demand.
Ewa Domagala
Ekerö
Ive never been particularly interested in defining my work through one style or visual language. I tend to follow intuition, colour, movement and whatever happens between memory, material and the thing Im trying to make.
I work across painting, collage and mixed media, using oils, oil sticks, pastels, cardboard and whatever else the work seems to need. Im drawn to cutting things apart, layering them, rebuilding them and leaving some of that construction visible.
My work often begins with something ordinary a flower, a vase, a bowl of fruit, a landscape and becomes something slightly less certain along the way. Shapes get simplified, proportions shift, colours stop behaving realistically and lines dont necessarily go where they should.
Im less interested in perfection than in what happens when I allow a work to stay a little raw, playful and unresolved.
For me, making art is a way of finding something I couldnt have planned in advance.