My interpretation of a painting by Zdzislaw Beksinski, on the face of the sitting woman, Victorine Meurent (1844-1927), in Eduard Manet's "Le Déjeuner sur l'herbe". The face of Jessica Paré. A strange version of Wolfgang von Goethe. The front of a locomotive. A woman's breast's nipple. Some nordic old runes. WernerHeisenberg's Principle of uncertainty: "The uncertainty principle can be visualized using the position- and momentum-space wavefunctions for one spinless particle with mass in one dimension." (Wikipedia) A woman wall-climbing. A crow with a clock in it. An association to Marcel Duchamp's the Bride, in "The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)". 1915 - 1923. The title of my painting is inspirated from James Joyce's "Finnegans Wake" (Finnegans Wake is a novel by the Irish writer James Joyce. It was published in instalments starting in 1924, under the title "fragments from Work in Progress". The final title was only revealed when the book was published on 4 May 1939." Wikipedia) where "God" can be "Good", and "Eve" can be "Evil". Or Samuel Beckett's "Waiting for Godot", or William Shakespeare's Midsummer's Eve, in "The Midsummernight's Dream". Finnegans Wake is also about a dream.
Meanwhile listening to the audio of Andy Warhol's book "Popism", by Andy Warhol and Pat Hackett. Sometimes listening to James Joyce's "Finnegans Wake", or Triphop music from the Seven Beats Music channel, at YouTube.