Vi använder cookies för att ge dig bästa möjliga upplevelse. Välj vilka cookies du tillåter.
Läs mer i vår integritetspolicy
Jörgen Thornberg
Slumber on Speculation, 2025
Digital
50 x 70 cm
3 200 kr
Slumber on Speculation
It always starts with a book. Or rather, with an overwhelming number of them. According to WorldCat, a staggering 1,190 titles are dedicated to Marilyn Monroe. This abundance of literature not only reflects but also fuels the enduring fascination with the iconic figure. If piled up, they would tower higher than the Turning Torso in Malmö. Seven hundred and sixty-five of these are in English alone — a weighty volume that could easily overwhelm even the most devoted reader. However, the allure of Monroe's life and legacy is so compelling that it keeps us captivated, always seeking more.
Most of these books offer not truth but noise: speculation, gossip, and conspiracy theories dressed up as biography. Yet, within this flood, there are treasures — rare fragments of insight, precious shards of honesty, and occasional glimpses of the real woman. These are not just moments, but keys that unlock the true essence of Monroe. They are the heart of her biographies, making the journey through them a truly valuable and enlightening experience.
It is easy to imagine Marilyn, the Time-traveller, visiting her friend Anita Ekberg’s flat above Ohlsson’s corner at Stortorget, dozing off with one of these enormous tomes as her pillow. She is a figure that transcends time, originating from an eternal realm. Among the stars, nothing can be concealed, for every witness remains prepared to add the final word to what has happened. Her enduring legacy ensures that she is always present, always a part of our cultural landscape.
“The Star on the Star
They wrote two thousand volumes,
each one shouting truth at last!
Yet every page is tangled
in rumours from the past.
Some swear she whispered secrets,
some claim she knew the score,
some blame the CIA,
and others blame the floor.
They argue, scheme, and speculate,
they conjure wild plots galore,
yet facts get lost in footnotes,
and legends grow still more.
But here’s the only sure thing,
the fact none can deny:
a film star, when she leaves the earth,
takes up a home on high.
Marilyn lounges on her star,
a library in her lap,
she skims the books, then shuts her eyes,
and smiles at all the claptrap.
For gossip burns like paper,
conspiracies expire,
but the truth is sipping champagne
far above the earthly choir.”
Malmö. October 2025
Slumber on Speculation
According to WorldCat, there are 2,190 printed titles about Marilyn Monroe, of which 765 are in English — a number that most likely represents the majority.
Most of it is probably little more than rubbish if one is searching for the truth and nothing but the truth. But if one enjoys the entertainment value of speculation, rumours, conspiracy theories, and slander, there are treasures to be found in this flood of books.
It is hardly surprising for the Time-traveller Marilyn, during her visit to her eternal friend Anita Ekberg’s apartment above Ohlsson’s corner at Stortorget in Malmö, to have fallen asleep with one of these monstrous tomes as her pillow, considering she comes from eternity. This visit, a fictional scenario, serves as a metaphor for Monroe's enduring presence in our cultural consciousness. Among the stars, nothing can be hidden, for there is always someone ready to pass judgment on what has happened. Since then, all the witnesses remain.
Beyond biographies and the fictional tales of novels, there are other ways to delve into Marilyn Monroe’s life. The podcast “You Must Remember This,” dedicated to the hidden and often overlooked histories of Hollywood, offers a unique perspective on Monroe. Its trilogy on Monroe, charting her path from model to star to her enigmatic death, provides insights that are as engaging as any written account, making it essential listening for any Monroe enthusiast.
On screen, “My Week With Marilyn”—with Michelle Williams’s remarkable performance—remains one of my personal favourites, though I still insist she was robbed of her Oscar. These alternative narratives remind us that Monroe is not merely a subject of dusty biographies but a living presence who continues to reappear in culture in new forms, her influence lasting and her legacy always present — a testament to the significance of her impact.
But perhaps the most eloquent “books” about Monroe are not books at all, but auction catalogues. These volumes, unlike speculative biographies that trade in rumours, document what can be proven: her dresses, her letters, her annotated books, her everyday belongings. They provide a tangible and authentic connection to her life, offering a unique perspective that brings us closer to the honest Monroe.
The 1999 Christie’s catalogue from Rockefeller Plaza spans 416 pages and reads like an unintentional autobiography—each item tells a story, each fragment offers a clue. The 2016 Julien’s Auctions catalogue, where Monroe’s iconic dress from President Kennedy’s birthday was sold, is equally revealing. These catalogues, though commercial in nature, are essential in preserving Monroe's legacy. They do not invent; they preserve. And in their pages, Monroe’s presence feels not just present, but strangely complete, as if she were still with us.
Marilyn Monroe – Beyond the Myth
Marilyn Monroe remains one of the most recognisable figures of the twentieth century. Yet, what most of us believe we know about her is a story written by men — a narrative of curves and vulnerability, seduction, and the convenient caricature of the “dumb blonde.”
But over the past decades, something remarkable has occurred. The women’s movement has begun to claim her as one of its own. Gloria Steinem once remarked that if Monroe had lived longer, she would very likely have been a “card-carrying feminist.” Not only because she endured the worst that sexism could offer, but because she resisted it — often fearlessly, often ahead of her time. Her story is a powerful testament to the strength and resilience of women in the face of adversity. Her activism, her courage in the face of a world that rarely recognised women's bravery, and her unwavering commitment to her progressive beliefs, even as her supporters—and her industry—turned away, are an inspiration to us all. In her life, we find lessons not only on how to endure but also on how to live valiantly, encouraging us to confront our own challenges with resilience.
She was courageous when the world rarely recognised women’s bravery. She stayed true to her progressive beliefs even as her supporters — and her industry — turned away. In her life, we find lessons not only on how to endure but also on how to live valiantly, encouraging us to confront our own challenges with resilience.
She Spoke Up
In the 1950s, when sexual violence was seldom discussed, Monroe publicly spoke about the abuse she suffered as a child and later as an adult. To expose what most women endured in silence was an act of extraordinary bravery.
As Steinem remarked on what would have been Monroe’s 75th birthday in 2001: “Her experiences were ones that feminism often speaks out on: sexual abuse, sexual victimisation, a mother’s madness.”
She had already broken the silence long before any movement would repeat those words and say, “Women are not to blame.”
She Bossed Up
Marilyn Monroe was only the second woman in Hollywood history to run her own production company. The first was silent star Mary Pickford — another actress who refused to be confined. Monroe founded Marilyn Monroe Productions in defiance of Fox Studios, which typecast her, held back scripts until the last minute, and paid her far less than her male co-stars. Her defiance encourages us to stand up against injustice.
Through her company, she secured roles in Bus Stop and The Prince and the Showgirl. Bus Stop, in particular, provided her with the role of Cherie — a layered, complex character far from the stereotype. The film was both a commercial success and an artistic vindication, affirming her talent and demonstrating that she could shape her own destiny on screen.
She Skilled Up
Mockery of ambition was common, and Monroe’s ambitions were frequently subject to ridicule. When she confessed she sought roles as significant as Grushenka in Dostoevsky’s The Brothers Karamazov, journalists scoffed that she could barely spell the name.
But she persisted. She was committed to self-improvement, studying under Lee and Paula Strasberg at the Actors Studio, taking literature classes at UCLA, and reading voraciously. Her dedication to growth is truly inspiring. Monroe's journey of personal development, from a young girl with big dreams to a respected actress and activist, is a testament to the power of persistence and self-improvement. “There’s nothing wrong with glamour… But I want to be in the kind of pictures where I can develop, not just wear tights.”
She never stopped learning.
She Stood Up
The story of Ella Fitzgerald showcases Monroe at her finest. In the mid-1950s, Fitzgerald was turned down for a booking at the Mocambo, a prominent nightclub in Los Angeles. The owner dismissed her as “not glamorous” enough, and her being Black was a significant factor in the refusal.
Monroe intervened and assured the owner that if Fitzgerald were booked, she would sit in the front row each night, bringing her friends along. She kept her promise — Judy Garland, Frank Sinatra, and others also attended. Fitzgerald later said in a 1972 interview: “I owe Marilyn Monroe a real debt.”
In lending her star power, Monroe utilised fame as leverage for justice.
She Persisted
Her politics were not an afterthought. She supported civil rights, spoke openly in favour of Castro’s Cuba, and helped establish the Hollywood branch of the Committee for a Sane Nuclear Policy. Monroe's activism in the civil rights movement, her support for political causes, and her refusal to stay politically silent, even when stars were expected to, are all part of her legacy. She even served as an alternate delegate to the Democratic caucus in her Connecticut district.
At a time when stars were expected to stay politically silent, Monroe refused to quiet her voice.
What She Teaches
Yes, Monroe was beautiful. She endured profound traumas, both public and private. But she was also braver than her world wanted her to be — politically daring, professionally independent, intellectually hungry. Her resilience in the face of adversity, her ability to rise above her circumstances and continue to strive for her goals, stands as a testament to her strength, inspiring us to face our own challenges with courage and determination.
She was, above all, complete. Not a myth, not a caricature, but a woman who insisted on being many things simultaneously. Her authenticity, her refusal to be pigeonholed or defined by others, shines through, making her a relatable figure and inspiring us to embrace our own authenticity.
Her life continues to whisper to us: persist in being the full extent of who you are, even when the world attempts to diminish you. Monroe's persistence in staying true to herself, in refusing to be anything less than her authentic self, serves as a beacon of encouragement, urging us to stay true to ourselves despite the challenges we may face.

Jörgen Thornberg
Slumber on Speculation, 2025
Digital
50 x 70 cm
3 200 kr
Slumber on Speculation
It always starts with a book. Or rather, with an overwhelming number of them. According to WorldCat, a staggering 1,190 titles are dedicated to Marilyn Monroe. This abundance of literature not only reflects but also fuels the enduring fascination with the iconic figure. If piled up, they would tower higher than the Turning Torso in Malmö. Seven hundred and sixty-five of these are in English alone — a weighty volume that could easily overwhelm even the most devoted reader. However, the allure of Monroe's life and legacy is so compelling that it keeps us captivated, always seeking more.
Most of these books offer not truth but noise: speculation, gossip, and conspiracy theories dressed up as biography. Yet, within this flood, there are treasures — rare fragments of insight, precious shards of honesty, and occasional glimpses of the real woman. These are not just moments, but keys that unlock the true essence of Monroe. They are the heart of her biographies, making the journey through them a truly valuable and enlightening experience.
It is easy to imagine Marilyn, the Time-traveller, visiting her friend Anita Ekberg’s flat above Ohlsson’s corner at Stortorget, dozing off with one of these enormous tomes as her pillow. She is a figure that transcends time, originating from an eternal realm. Among the stars, nothing can be concealed, for every witness remains prepared to add the final word to what has happened. Her enduring legacy ensures that she is always present, always a part of our cultural landscape.
“The Star on the Star
They wrote two thousand volumes,
each one shouting truth at last!
Yet every page is tangled
in rumours from the past.
Some swear she whispered secrets,
some claim she knew the score,
some blame the CIA,
and others blame the floor.
They argue, scheme, and speculate,
they conjure wild plots galore,
yet facts get lost in footnotes,
and legends grow still more.
But here’s the only sure thing,
the fact none can deny:
a film star, when she leaves the earth,
takes up a home on high.
Marilyn lounges on her star,
a library in her lap,
she skims the books, then shuts her eyes,
and smiles at all the claptrap.
For gossip burns like paper,
conspiracies expire,
but the truth is sipping champagne
far above the earthly choir.”
Malmö. October 2025
Slumber on Speculation
According to WorldCat, there are 2,190 printed titles about Marilyn Monroe, of which 765 are in English — a number that most likely represents the majority.
Most of it is probably little more than rubbish if one is searching for the truth and nothing but the truth. But if one enjoys the entertainment value of speculation, rumours, conspiracy theories, and slander, there are treasures to be found in this flood of books.
It is hardly surprising for the Time-traveller Marilyn, during her visit to her eternal friend Anita Ekberg’s apartment above Ohlsson’s corner at Stortorget in Malmö, to have fallen asleep with one of these monstrous tomes as her pillow, considering she comes from eternity. This visit, a fictional scenario, serves as a metaphor for Monroe's enduring presence in our cultural consciousness. Among the stars, nothing can be hidden, for there is always someone ready to pass judgment on what has happened. Since then, all the witnesses remain.
Beyond biographies and the fictional tales of novels, there are other ways to delve into Marilyn Monroe’s life. The podcast “You Must Remember This,” dedicated to the hidden and often overlooked histories of Hollywood, offers a unique perspective on Monroe. Its trilogy on Monroe, charting her path from model to star to her enigmatic death, provides insights that are as engaging as any written account, making it essential listening for any Monroe enthusiast.
On screen, “My Week With Marilyn”—with Michelle Williams’s remarkable performance—remains one of my personal favourites, though I still insist she was robbed of her Oscar. These alternative narratives remind us that Monroe is not merely a subject of dusty biographies but a living presence who continues to reappear in culture in new forms, her influence lasting and her legacy always present — a testament to the significance of her impact.
But perhaps the most eloquent “books” about Monroe are not books at all, but auction catalogues. These volumes, unlike speculative biographies that trade in rumours, document what can be proven: her dresses, her letters, her annotated books, her everyday belongings. They provide a tangible and authentic connection to her life, offering a unique perspective that brings us closer to the honest Monroe.
The 1999 Christie’s catalogue from Rockefeller Plaza spans 416 pages and reads like an unintentional autobiography—each item tells a story, each fragment offers a clue. The 2016 Julien’s Auctions catalogue, where Monroe’s iconic dress from President Kennedy’s birthday was sold, is equally revealing. These catalogues, though commercial in nature, are essential in preserving Monroe's legacy. They do not invent; they preserve. And in their pages, Monroe’s presence feels not just present, but strangely complete, as if she were still with us.
Marilyn Monroe – Beyond the Myth
Marilyn Monroe remains one of the most recognisable figures of the twentieth century. Yet, what most of us believe we know about her is a story written by men — a narrative of curves and vulnerability, seduction, and the convenient caricature of the “dumb blonde.”
But over the past decades, something remarkable has occurred. The women’s movement has begun to claim her as one of its own. Gloria Steinem once remarked that if Monroe had lived longer, she would very likely have been a “card-carrying feminist.” Not only because she endured the worst that sexism could offer, but because she resisted it — often fearlessly, often ahead of her time. Her story is a powerful testament to the strength and resilience of women in the face of adversity. Her activism, her courage in the face of a world that rarely recognised women's bravery, and her unwavering commitment to her progressive beliefs, even as her supporters—and her industry—turned away, are an inspiration to us all. In her life, we find lessons not only on how to endure but also on how to live valiantly, encouraging us to confront our own challenges with resilience.
She was courageous when the world rarely recognised women’s bravery. She stayed true to her progressive beliefs even as her supporters — and her industry — turned away. In her life, we find lessons not only on how to endure but also on how to live valiantly, encouraging us to confront our own challenges with resilience.
She Spoke Up
In the 1950s, when sexual violence was seldom discussed, Monroe publicly spoke about the abuse she suffered as a child and later as an adult. To expose what most women endured in silence was an act of extraordinary bravery.
As Steinem remarked on what would have been Monroe’s 75th birthday in 2001: “Her experiences were ones that feminism often speaks out on: sexual abuse, sexual victimisation, a mother’s madness.”
She had already broken the silence long before any movement would repeat those words and say, “Women are not to blame.”
She Bossed Up
Marilyn Monroe was only the second woman in Hollywood history to run her own production company. The first was silent star Mary Pickford — another actress who refused to be confined. Monroe founded Marilyn Monroe Productions in defiance of Fox Studios, which typecast her, held back scripts until the last minute, and paid her far less than her male co-stars. Her defiance encourages us to stand up against injustice.
Through her company, she secured roles in Bus Stop and The Prince and the Showgirl. Bus Stop, in particular, provided her with the role of Cherie — a layered, complex character far from the stereotype. The film was both a commercial success and an artistic vindication, affirming her talent and demonstrating that she could shape her own destiny on screen.
She Skilled Up
Mockery of ambition was common, and Monroe’s ambitions were frequently subject to ridicule. When she confessed she sought roles as significant as Grushenka in Dostoevsky’s The Brothers Karamazov, journalists scoffed that she could barely spell the name.
But she persisted. She was committed to self-improvement, studying under Lee and Paula Strasberg at the Actors Studio, taking literature classes at UCLA, and reading voraciously. Her dedication to growth is truly inspiring. Monroe's journey of personal development, from a young girl with big dreams to a respected actress and activist, is a testament to the power of persistence and self-improvement. “There’s nothing wrong with glamour… But I want to be in the kind of pictures where I can develop, not just wear tights.”
She never stopped learning.
She Stood Up
The story of Ella Fitzgerald showcases Monroe at her finest. In the mid-1950s, Fitzgerald was turned down for a booking at the Mocambo, a prominent nightclub in Los Angeles. The owner dismissed her as “not glamorous” enough, and her being Black was a significant factor in the refusal.
Monroe intervened and assured the owner that if Fitzgerald were booked, she would sit in the front row each night, bringing her friends along. She kept her promise — Judy Garland, Frank Sinatra, and others also attended. Fitzgerald later said in a 1972 interview: “I owe Marilyn Monroe a real debt.”
In lending her star power, Monroe utilised fame as leverage for justice.
She Persisted
Her politics were not an afterthought. She supported civil rights, spoke openly in favour of Castro’s Cuba, and helped establish the Hollywood branch of the Committee for a Sane Nuclear Policy. Monroe's activism in the civil rights movement, her support for political causes, and her refusal to stay politically silent, even when stars were expected to, are all part of her legacy. She even served as an alternate delegate to the Democratic caucus in her Connecticut district.
At a time when stars were expected to stay politically silent, Monroe refused to quiet her voice.
What She Teaches
Yes, Monroe was beautiful. She endured profound traumas, both public and private. But she was also braver than her world wanted her to be — politically daring, professionally independent, intellectually hungry. Her resilience in the face of adversity, her ability to rise above her circumstances and continue to strive for her goals, stands as a testament to her strength, inspiring us to face our own challenges with courage and determination.
She was, above all, complete. Not a myth, not a caricature, but a woman who insisted on being many things simultaneously. Her authenticity, her refusal to be pigeonholed or defined by others, shines through, making her a relatable figure and inspiring us to embrace our own authenticity.
Her life continues to whisper to us: persist in being the full extent of who you are, even when the world attempts to diminish you. Monroe's persistence in staying true to herself, in refusing to be anything less than her authentic self, serves as a beacon of encouragement, urging us to stay true to ourselves despite the challenges we may face.
3 200 kr
Jörgen Thornberg
Malmö
Lite om bilder och mig. Translation in English at the end.
Jag är en nyfiken person som ser allt i bilder, även det jag fäster i ord, gärna tillsammans för bakom alla mina bilder finns en berättelse. Till vissa bilder hör en kortare eller längre novell som följer med bilden.
Bilder berättar historier. Jag omges av naturlig skönhet, intressanta människor och historia var jag än går. Jag använder min kamera för att dokumentera världen och blanda det jag ser med vad jag känner för att fånga den dolda magin.
Mina bilder berättar mina historier. Genom mina bilder, tryck och berättelser. Jag bjuder in dig att ta del av dessa berättelser, in i ditt liv och hem och dela min mycket personliga syn på vår värld. Mer än vad ögat ser. Jag tänker i bilder, drömmer och skriver och pratar om dem; följaktligen måste jag också skapa bilder. De blir vad jag ser, inte nödvändigtvis begränsade till verkligheten. Det finns en bild runt varje hörn. Jag hoppas att du kommer att se vad jag såg och gilla det.
Jag är också en skrivande person och till många bilder hör en kortare eller längre essay. Den följer med tavlan, tryckt på fint papper och med en personlig hälsning från mig.
Flertalet bilder startar sin resa i min kamera. Enkelt förklarat beskriver jag bilden jag ser i mitt inre, upplevd eller fantiserad. Bilden uppstår inom mig redan innan jag fått okularet till ögat. På bråkdelen av ett ögonblick ser jag vad jag vill ha och vad som kan göras med bilden. Här skall jag stoppa in en giraff, stålmannen, Titanic eller vad det är min fantasi finner ut. Ännu märkligare är att jag kommer ihåg minnesbilden långt efteråt när det blir tid att skapa verket. Om jag lyckas eller inte, är upp till betraktaren, oftast präglat av en stråk av svart humor – meningen är att man skall bli underhållen. Mina bilder blir ofta en snackis där de hänger.
Jag föredrar bilder som förmedlar ett budskap i flera lager. Vid första anblicken fylld av feel-good, en vacker utsikt, fint väder, solen skiner, blommor på ängen eller vattnet som ligger förrädiskt spegelblankt. I en sådan bild kan jag gömma min egentliga berättelse, mitt förakt för förtryckare och våldsverkare, rasister och fördomsfulla människor - ett gärna återkommande motiv mer eller mindre dolt i det vackra motivet. Jag försöker förena dem i ett gemensamt narrativ.
Bild och formgivning har löpt som en röd tråd genom livet. Fotokonst känns som en värdig final som jag gärna delar med mig.
Min genre är vid som framgår av mina bilder, temat en blandning av pop- och gatukonst i kollage som kan bestå av hundratals lager. Vissa bilder kan ta veckor, andra någon dag innan det är dags att överlämna resultatet till printverkstaden. Fine Art Prints är digitala fotocollage. I dessa kollage sker rivandet, klippandet, pusslandet, målandet, ritandet och sprayningen digitalt. Det jag monterar in kan vara hundratals år gamla bilder som jag omsorgsfullt frilägger så att de ser ut att vara en del av tavlan men också bilder skapade av mig själv efter min egen fantasi. Därefter besöks printstudion och för vissa bilder numrera en limiterad upplaga (oftast 7 exemplar) och signera för hand. Vissa bilder kan köpas i olika format. Det är bara att fråga efter vilka. Gillar man en bild som är 70x100 men inte har plats på väggen, går den kanske att få i 50x70 cm istället. Frågan är fri.
Metoden Giclée eller Fine Art Print som det också kallas är det moderna sättet för framställning av grafisk konst. Villkoret för denna typ av utskrifter är att en högkvalitativ storformatskrivare används med åldersbeständigt färgpigment och konstnärspapper eller i förekommande fall på duk. Pappret som används möter de krav på livslängd som ställs av museer och gallerier. Normalt säljer jag mina bilder oinramade så att den nya ägaren själv kan bestämma hur de skall se ut, med eller utan passepartout färg på ram, med eller utan glas etc..
Under många år ställde jag bara ut på nätet, i valda grupper och på min egen Facebooksida - https://www.facebook.com/jorgen.thornberg.9
Jag finns också på en egen hemsida som tyvärr inte alltid är uppdaterad – https://www.jth.life/ Där kan du också läsa en del av de berättelser som följer med bilden.
UTSTÄLLNINGAR
Luftkastellet, oktober 2022
Konst i Lund, november 2022
Luftkastellet, mars 2023
Engleson Galleri Caroli, april 2023
Hydra, Greece June 2023
Engleson Galleri Caroli, oktober 2023
Toppen, Höllviken december 2023
Luftkastellet, mars 2024
Torups Galleri, mars 2024
Venice, May 2024
Luftkastellet, oktober 2024
Konst i Advent, December 2024
Galleri Engleson, Caroli December 2024
Jäger & Jansson Galleri, april 2025
A bit about pictures and me.
I'm a curious person who sees everything in pictures, even what I express in words, often combining them, for behind all my pictures lies a story. These narratives, some as short as a single image and others as long as a novel, are the heart and soul of my work.
Pictures tell stories. Wherever I go, I'm surrounded by natural beauty, exciting people, and history. I use my camera to document the world and blend what I see with what I feel to capture the hidden magic.
My images tell my stories. Through my pictures, prints, and narratives, I invite you to partake in these stories in your life and home and share my deeply personal perspective of our world. More than meets the eye. I think in pictures, dream, write, and talk about them; consequently, I must create images too. They become what I see, not necessarily confined to reality. There's a picture around every corner. I hope you'll see what I saw and enjoy it.
I'm also a writer, and many images come with a shorter or longer essay. It accompanies the painting, printed on fine paper with my personal greeting.
Many pictures start their journey on my camera. Simply put, I describe the image I see in my mind, experienced or imagined. The image arises within me even before I bring the eyepiece to my eye. In a fraction of a moment, I see what I want and what can be done with the picture. Here, I'll insert a giraffe, Superman, the Titanic, or whatever my imagination conjures up. Even stranger is that I remember the mental image long after it's time to create the work. Whether I succeed is up to the observer, often imbued with a streak of black humour – the aim is to entertain. My pictures usually become a talking point wherever they hang.
I prefer pictures that convey a message in multiple layers. At first glance, they're filled with feel-good vibes, a beautiful view, lovely weather, the sun shining, flowers in the meadow, or the water lying deceptively calm. But beneath this surface beauty, I often conceal a deeper story, a narrative that challenges societal norms or explores the human condition. I invite you to delve into these hidden narratives and discover the layers of meaning within my work.
Picture and design have been a thread running through my life. Photographic art feels like a fitting finale, and I'm happy to share it.
My genre is varied, as seen in my pictures; the theme is a blend of pop and street art in collages that can consist of hundreds of layers. Some images can take weeks, others just a day before it's time to hand over the result to the print workshop. Fine Art Prints are digital photo collages. In these collages, tearing, cutting, puzzling, painting, drawing, and spraying happen digitally. What I insert can be images hundreds of years old that I carefully extract so they appear to be part of the painting, but also images created by myself, now also generated from my imagination. Next, visit the print studio and, for certain images, number a limited edition (usually 7 copies) and sign them by hand. Some images may be available in other formats. Just ask which ones. If you like an image that's 70x100 but doesn't have space on the wall, you might be able to get it in 50x70 cm instead. The question is open.
The Giclée method, or Fine Art Print as it's also called, is the modern way of producing graphic art. This method ensures the highest quality and longevity of the artwork, using a high-quality large-format printer with archival pigment inks and artist paper or, in some cases, canvas. The paper used meets the longevity requirements set by museums and galleries. I sell my pictures unframed, allowing the new owner to personalise their artwork, confident in the lasting value and quality of the piece.
For many years, I only exhibited online, in selected groups, and on my Facebook page - https://www.facebook.com/jorgen.thornberg.9. I also have my website, which unfortunately is not constantly updated - https://www.jth.life/. You can also read some of the stories accompanying the pictures there.
EXHIBITIONS
Luftkastellet, October 2022
Art in Lund, November 2022
Luftkastellet, March 2023
Engleson Gallery Caroli, April 2023
Hydra, Greece June 2023
Engleson Gallery Caroli, October 2023
Toppen, Höllviken December 2023
Luftkastellet, March 2024
Torup Gallery, March 2024
Venice, May 2024
UTSTÄLLNINGAR
Luftkastellet, oktober 2022
Konst i Lund, november 2022
Luftkastellet, mars 2023
Engleson Galleri Caroli, april 2023
Hydra, Greece June 2023
Engleson Galleri Caroli, oktober 2023
Toppen, Höllviken december 2023
Luftkastellet, mars 2024
Torups Galleri, mars 2024
Venice, May 2024
Luftkastellet, October 2024
Konst i Advent, December 2024
Galleri Engleson, Caroli December 2024
Jäger & Jansson Galleri, April 2025
Utbildning
Autodidakt
Medlem i konstnärsförening
Öppna Sinnen
Med i konstrunda
Konstrundan i Skåne
Utställningar
Luftkastellet, October 2022
Art in Lund, November 2022
Luftkastellet, March 2023
Engleson Gallery Caroli, April 2023
Hydra, Greece June 2023
Engleson Gallery Caroli, October 2023
Toppen, Höllviken December 2023
Luftkastellet, March 2024
Torup Gallery, March 2024
Venice, May 2024