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Jörgen Thornberg
Allies in Disguise – Frenemies Forever, 2025
Digital
50 x 70 cm
3 200 kr
Allies in Disguise – Frenemies Forever.
The phrase 'Allies in Disguise' alludes to the intricate and often misleading nature of frenemy relationships, a theme that we'll explore in this essay.
“Frenemies” is a word so refined and harmful that it seems like it should have been born in the salons of the past. A blend of friends and enemies – as powerful as mixing wine with poison: it goes down easily but hits hard. It’s about that timeless relationship where you warmly embrace, while at the same time keeping a tight hold on each other’s dagger hilts.
It’s more than rivalry. It’s admiration tinged with bitterness. A tug-of-war between respect and resentment, where both sides are hooked on each other’s existence. Like yin and yang – but with more passive aggression.
In Swedish, we say “bästa ovänner” (best worst enemies), “vän-fiender” (friend-enemies), or the more folksy “can’t stand him – but can’t live without him.” But none quite capture the allure of sophisticated duplicity that frenemies do. It’s a word that suits superheroes and politicians alike, philosophers and fictional icons, Shakespeare and Saturday morning cartoons.
This is their story. A journey through history’s most intense alliances, most sabotaged friendships, and most skillfully executed betrayals. From Caesar to Catwoman. From philosophers in sandals to serial killers in latex.
And you? You’ll recognise yourself. Because we’ve all had them – those people we couldn’t live with… and yet couldn’t help but love. Frenemies are a universal experience, a common thread that binds us all.
“Frenemies Forever
They duel at dawn with sharpened wit,
Then share a drink and laugh a bit.
They plot, they spy, they trade a blow –
But never let the other go.
From Plato’s robes to Gotham nights,
Where heroes brood and cats wear tights,
They scheme with style, with capes or cuffs,
Then patch things up with half-meant gruffs.
One writes a treatise, bold and grand,
The other mocks with a scathing hand.
They grumble, glare and then confess:
“My dearest foe, I must digress…”
Tom chases Jerry around the bend,
But cries when harmed by his tiny friend.
Wile E. falls for the hundredth time –
Still dreams of Road Runner behind.
From Marx and Engels’ dusty feud
To Bugs and Daffy’s sass and ‘tude,
From Adler’s gaze to Moriarty’s grin –
The game’s more fun when no one wins.
So toast your rival, raise your glass,
And thank the one who kicks your ass.
For love and war may never blend –
But nothing beats a frenemy friend.”
Malmö. August 2025
Frenemies – The Art of Loving Your Rival (While Checking the Dagger in Their Coat)
A Satirical Essay on History’s Best-Dressed, Most Eloquent, and Sharpest Adversaries – Real and Illustrated
What would the world be like without frenemies? A concept so deeply rooted in history, it isn't easy to envisage a world without it. “Frenemies” is a word so elegant yet venomous that it should have been coined in the salons of antiquity. A fusion of friends and enemies – as potent as mixing wine with poison: it goes down smoothly but strikes hard. It's like a classic comedy where you hug each other warmly, all the while checking the hilts of each other’s daggers. The irony is as thick as the plot of a Shakespearean play, and the drama is as captivating as a Greek tragedy.
In Swedish, we have ‘bästa ovänner’ (“best enemies”), a term that captures both romantic dance duos and political fistfights – a state of mutual admiration and latent betrayal. However, it lacks the frenzy, finesse, and ironic sting that frenemies carry.
And never was it more vividly expressed than in the ancient world.
Chapter 1: The Art of the Triumvirate – Allied to Death
The First Triumvirate: Caesar, Pompey, and Crassus. Three men. Three ambitions. Three flavours of megalomania.
Caesar – the charismatic populist. Pompey – the Senate’s favourite and military genius. Crassus – the original finance bro, historically wealthy enough to buy both elections and friendships.
They entered the pact as brothers. They left as ashes. When Crassus died in Parthia and Pompey sided with the Senate, Caesar was left with the Rubicon behind him and Rome ahead. The ending? “Et tu, Brute?” – perhaps the most iconic frenemy quote in world history.
The Second Triumvirate: Octavian, Mark Antony, and Lepidus.
Same tune, different verse.
When Antony chose Cleopatra over the Senate, Octavian ramped up the political spin and painted him as the Empire’s greatest traitor. The Battle of Actium marked the end – and the start of the imperial age.
Chapter 2: Philosophers and Treacherous Friendships
Plato and Aristotle – Pupil and Master
Plato dreamed of the realm of ideals. Aristotle said, “Sure – but how about reality?” Their relationship was built on respect and subtle rejection. Aristotle took what he needed and moved on.
Socrates and Alcibiades – Mentor and the Seduced
Socrates called Alcibiades his favourite – and also his moral compass. Alcibiades was equally a seducer, war-monger, and traitor. Their relationship was a drama of desire, philosophy, and betrayal – and it ended as it had to: in a shocking catastrophe for both.
Seneca and Nero – Philosopher and Emperor
Seneca took Nero under his wing as if he were a son. That… didn’t end well. Nero set fire to the city, played the lyre, and ordered Seneca’s death. A conflicted relationship with a tragic end – yet also unintentionally humorous: the stoic Seneca calmly dying through multiple failed attempts, a tragicomedy in the grand theatre of history.
Chapter 3: Politicians, Poets and Other Dinner Party Threats
Cicero and Caesar
Cicero's admiration for Caesar was a fascinating dance of power and intellect. He, the Senate’s silver tongue, underestimated Caesar's steel will. Their exchange of letters was a veiled battle, and Cicero's later celebration of Caesar’s death was a dramatic twist. The story didn’t end well, with Cicero's head mounted on a spike, leaving us with a sense of tragic fascination.
Cicero and Mark Antony
This was personal. Cicero publicly mocked Antony’s morals, manners, and mind. Antony, not known for irony, responded with a death sentence.
Yet another frenemy with a price on his head.
Horace and Virgil
Roman poets with contrasting styles – lofty Virgil and earthy Horace.
They drank together, but never fully toasted each other’s legacy.
Chapter 4: Women in the Frenemy Trap
Even in antiquity, women mastered the art of complex friendship.
Cleopatra and Herodias?
They never met, but reflect each other in history's mirror: cunning, powerful, navigating male-dominated chessboards.
Women who often had to be their frenemies, in a world that never truly allowed them to choose.
Athena and Hera – Goddesses, powers, rivals.
They ruled Olympus. They competed in beauty, wisdom, and wrath. They collaborated, but mostly when someone else needed to fall.
Chapter 5: Why We Love Frenemies
Frenemies are the salt of drama—the fuel of tension. Without them? Just loyalty. With them? Fireworks, betrayals, and monologues with daggers. We’re fascinated not because they’re good, but because they’re human. Complex. Reflecting our struggles—just on a grander, more poetic scale. Frenemies are not just historical figures or literary characters; they are reflections of our human nature, our struggles with loyalty and betrayal. Their stories are not just intriguing, but also deeply entertaining and captivating.
Chapter 6: Dagger-Laced Dialogues – Intellectual Frenemies from Socrates to Sartre
Where ancient generals drew swords, these pairs fought with ink and wit. Here, letters were weapons, rhetoric was poison, and parchment became battlegrounds. Admiration and contempt intertwined. These intellectual frenemies engaged in battles of wits that were as stimulating as they were intriguing.
Socrates and Alcibiades
Athens, 400 BCE.
Socrates: barefoot philosopher. Alcibiades: the Greek James Bond – beautiful, brilliant, dangerous.
Socrates saw a diamond in the rough. Alcibiades saw a resistance he could never conquer. Their bond crackled with erotic tension, political fallout, and philosophical contradiction. Alcibiades betrayed Athens. Socrates defended him anyway, and that loyalty may have contributed to Socrates’ ruin.
A Greek tragedy in disguise as a frenemy tale.
Voltaire and Rousseau
When two geniuses can’t stand each other yet quote one another obsessively, you know it’s serious.
Voltaire, the elite defender of reason, and Rousseau, the barefoot rebel with a sentimental streak, were a study in intellectual tension. Voltaire's mockery of Rousseau’s weepy virtue and Rousseau's disdain for Voltaire as an empty wig with a pen were the sparks that fueled their relationship. They couldn't stop reading each other, their letters a battleground of ideas and intellect.
And yet, they couldn’t stop reading each other. Their letters began with “My most esteemed colleague…” and ended with intellectual jabs.
Had they had Twitter? What a Pandemonium!
Churchill and Roosevelt
While the world burned, they swapped whisky and wisecracks. Roosevelt called Churchill a relic with flair, and Churchill called Roosevelt unpredictable as the weather, but still admirable.
Churchill and Roosevelt, while swapping whisky and wisecracks, were engaged in a geopolitical dance of mutual necessity and polite sabotage. Churchill aimed to save the Empire, while Roosevelt sought to dismantle it quietly. Their alliance was a delicate balance of power, and when Roosevelt died, Churchill's tears were a testament to the complexity of their relationship.
Geopolitical frenemies – with nuclear ambitions.
Marx and Engels
Engels paid the bills. Marx wrote the chapters. Engels defended Capital. Marx nitpicked Engels’ grammar.
Marx had the fury and vision. Engels possessed the patience, logistics, and factory-funded snacks. A revolutionary partnership: Marx penned the Manifesto, while Engels washed the ideological dishes.
A frenemy bond of codependence – and proof that prophets need patrons.
Jefferson and Adams
Co-authors of independence. Then decades of disputes.
Adams: federalist, organised, prickly. Jefferson: poetic, libertarian, owned slaves while writing about freedom.
They slandered each other in the press. Ran against each other. Refused to speak.
Then – letters again. And in a twist of fate, they died on the same day: July 4, 1826—fifty years after their revolution, as if history itself demanded a curtain call.
Simone de Beauvoir and Jean-Paul Sartre
They wrote, loved, and argued endlessly. Their pact: total freedom. No marriage, many lovers. She called him the necessary man. He said my best work is thanks to you.
But behind the pages: power games, distance, deep frustration.
She wrote books. He drank wine and theorised. He was canonised. She was scrutinised.
They were the ultimate frenemies of existentialism – and a reminder that intellectual love is rarely straightforward.
Conclusion: Bittersweet Bonds Taste Best in Retrospect
What connects all these pairs? A flicker of admiration. A hint of rivalry. An unwillingness to let go. Perhaps friction is what keeps the fire burning. Possibly geniuses need someone to grind against – to shine.
Sherlock Holmes – The Lone Wolf with a Frenemy Fixation
Sherlock Holmes, the coldly logical master detective, claims he has no emotions. But in truth, he gathers them – like evidence. His relationships are few, yet those he has are steeped in that particular kind of intense ambivalence that defines the finest frenemies-a term used to describe a person who is both a friend and an enemy, often in a competitive or adversarial relationship.
Professor Moriarty is the perfect foil to Holmes. “The Napoleon of crime,” as Holmes labels him. A monstrous intellect that matches his own. Their confrontations are not mere battles, but intricate chess games played out in a fog of mystery. The showdown at the Reichenbach Falls is a chilling display of deadly symmetry, almost charged with a perverse sense of attraction. Without Moriarty, there is no genuine challenge. Without Holmes, no worthy adversary. They are like two fallen gods, drawn towards their mutual destruction.
And then there’s Irene Adler. The woman. Not even a villain – just a woman who happened to outsmart him at the worst possible moment. Holmes insists he doesn’t fall in love. So why does he keep her photograph hidden away in his private box, a place where he keeps his most personal and cherished possessions? Adler didn’t defeat him with weapons or trickery – but with something far more dangerous: dignity and self-respect. She wasn’t in love with him. She didn’t need him. Which is precisely why she was able to go where no one else ever did.
Despite his solitary nature, Holmes is not immune to emotional influence. Both Moriarty and Adler, in their unique ways, leave indelible marks on his carefully ordered world. They are not friends, nor enemies, but instead mirrors that reflect the emotional conflicts he would rather avoid.
So, the next time you argue with someone close… ask yourself: Are we, perhaps, just the next chapter in frenemy history?
Chapter 7: Masked Mismatches – Frenemies in the Comic Universe
It often begins with a glance. A punch. A shadow on the rooftop. And then—sparks. Not only from flamethrowers or laser eyes, but from something more elusive: a mutual respect behind the mask. Welcome to the comic world’s most intense relationships—where friends and foes switch places in the same panel, and rivalry often intertwines with a complex blend of admiration, irritation, and understanding.
Batman and Catwoman
He hunts her. She teases him. He embodies law, discipline, and self-denial. She personifies night, desire, and just enough rebellion to keep things interesting. Yet, they are drawn to each other like opposing magnetic forces.
When she steals, it’s with grace. When he catches her, there’s an almost imperceptible smile. They fight with velvet gloves. They kiss, with shields raised. Sometimes they stand on opposite sides of the law; other times on the same rooftop. Who wins? Depends on who’s writing the story.
Professor X and Magneto
They were friends. They became ideological opponents, but never fully enemies. Professor X believes in coexistence between humans and mutants. Magneto believes in power, revenge, and the superiority of mutants. It’s like Martin Luther King versus Malcolm X, but with mutant genes and mental superpowers.
Yet, they still play chess together. They continue to talk as old friends – because that’s what they are. Magneto admires Xavier, while Xavier wants to save Magneto from himself. Their enmity is a broken promise – and that’s what makes every encounter painful.
Spider-Man and Black Cat
He’s nervous, quick-witted, duty-bound. She’s confident, dangerous, and bewitching. Black Cat enters Spider-Man’s life like a storm—kissing him mid-battle, mocking his sense of duty, making him feel alive.
But she doesn’t love Peter Parker—she loves the mask. And he can’t just be Spider-Man. Their relationship is a flirtation with the impossible. A romantic trap spun like a web. Does it work? No. Does it ever stop being tempting? Never.
Superman and Lex Luthor
This is frenemies in its purest form—imbued with a hint of envy. Lex is the man who dreams of being a god. Superman is a god trying to be a man. Luthor despises him, yet he is also obsessed. Superman repeatedly saves him because he still believes there is something in Lex worth saving.
They are opposites. They are reflections. Without Lex, Superman is never truly tested. Without Superman, Lex has no real purpose. Their relationship is the ultimate high-stakes game: who shapes the world, power or principle?
Harley Quinn and Poison Ivy
Best friends. Sometimes more. Both criminals have hearts that shine through the chaos. Harley is chaos, Ivy is control. Together, they challenge not just Batman but also stereotypes.
They save each other. They argue. They run. They build something of their own amid mayhem – a kind of sisterhood with sharp claws and friendly toxins. Their friendship has become a feminist icon in a world often soaked in testosterone.
Deadpool and Wolverine
It begins with insults. It usually ends in blood. But in between, there’s a kind of admiration. Deadpool sees Wolverine as an angry older brother. Wolverine sees Deadpool as… a persistent itch he can’t shake.
They’re both weapons. They’re both broken. And they’re both incapable of not protecting each other, despite claiming to hate one another. Sometimes it’s that simple: a frenemy is the person who annoys you most, but you miss them when they’re gone.
Conclusion: Who Reflects Whom?
Frenemies in comics are more than just narrative tricks. They are the architects of the story, serving as reflections of identity, inner conflict, and that complex relationship we’ve all experienced – where attraction, irritation, and deep understanding intertwine. They shape the narrative, adding layers of intrigue and depth.
Because behind every mask, every claw, every cape, there’s a heart beating out of sync with someone else’s. And right there, in the tension between loyalty and betrayal, friendship and rivalry, something unforgettable unfolds.
Pots, Clubs, and Affection – Frenemies in Cartoons and Pop Culture
Not all frenemies wear capes and backstories. Sometimes, all you need is a frying pan and a lifelong losing streak. Tom and Jerry might be the purest examples of frenemy dynamics ever created. They chase, hit, and blow each other up – but never truly part ways. When an outsider threatens one, the other jumps in to defend. It’s love-hate in its most distilled form – and high-level cattiness. Their enduring relationship is a testament to the power of frenemy dynamics.
Bugs Bunny and Daffy Duck are another classic. Bugs is the cool trickster. Daffy is the hot-headed underdog, always trying to steal the spotlight – and constantly tripping over his ego. They share the stage, but not the terms. Yet they’re inseparable. Who would Daffy be without Bugs to envy? Who would Bugs be without someone to drive mad?
Elmer Fudd and Bugs? Same thing. And let’s not forget Road Runner and Wile E. Coyote. The Coyote is a brilliant engineer with zero success. The Road Runner zooms away, untouched. The Coyote explodes, crashes, crumbles – and tries again. It’s not friendship, but it’s a relationship that has lasted over 70 years. That says something.
In modern times, we have Gru and the Minions. He’s the villain trying to be nice. They’re the sidekicks stealing every scene. A frenemy dynamic in flock form – where loyalty, chaos, and giggles blend into a perfect formula.
Epilogue: A Friend With Footnotes
If you feel like you have a frenemy in your life, congratulations. It means you’re living a story worth telling. And perhaps, if luck is on your side, you’ll be remembered in the style of the greats.
“She was my best friend. And my worst enemy. And I loved every second of it.”

Jörgen Thornberg
Allies in Disguise – Frenemies Forever, 2025
Digital
50 x 70 cm
3 200 kr
Allies in Disguise – Frenemies Forever.
The phrase 'Allies in Disguise' alludes to the intricate and often misleading nature of frenemy relationships, a theme that we'll explore in this essay.
“Frenemies” is a word so refined and harmful that it seems like it should have been born in the salons of the past. A blend of friends and enemies – as powerful as mixing wine with poison: it goes down easily but hits hard. It’s about that timeless relationship where you warmly embrace, while at the same time keeping a tight hold on each other’s dagger hilts.
It’s more than rivalry. It’s admiration tinged with bitterness. A tug-of-war between respect and resentment, where both sides are hooked on each other’s existence. Like yin and yang – but with more passive aggression.
In Swedish, we say “bästa ovänner” (best worst enemies), “vän-fiender” (friend-enemies), or the more folksy “can’t stand him – but can’t live without him.” But none quite capture the allure of sophisticated duplicity that frenemies do. It’s a word that suits superheroes and politicians alike, philosophers and fictional icons, Shakespeare and Saturday morning cartoons.
This is their story. A journey through history’s most intense alliances, most sabotaged friendships, and most skillfully executed betrayals. From Caesar to Catwoman. From philosophers in sandals to serial killers in latex.
And you? You’ll recognise yourself. Because we’ve all had them – those people we couldn’t live with… and yet couldn’t help but love. Frenemies are a universal experience, a common thread that binds us all.
“Frenemies Forever
They duel at dawn with sharpened wit,
Then share a drink and laugh a bit.
They plot, they spy, they trade a blow –
But never let the other go.
From Plato’s robes to Gotham nights,
Where heroes brood and cats wear tights,
They scheme with style, with capes or cuffs,
Then patch things up with half-meant gruffs.
One writes a treatise, bold and grand,
The other mocks with a scathing hand.
They grumble, glare and then confess:
“My dearest foe, I must digress…”
Tom chases Jerry around the bend,
But cries when harmed by his tiny friend.
Wile E. falls for the hundredth time –
Still dreams of Road Runner behind.
From Marx and Engels’ dusty feud
To Bugs and Daffy’s sass and ‘tude,
From Adler’s gaze to Moriarty’s grin –
The game’s more fun when no one wins.
So toast your rival, raise your glass,
And thank the one who kicks your ass.
For love and war may never blend –
But nothing beats a frenemy friend.”
Malmö. August 2025
Frenemies – The Art of Loving Your Rival (While Checking the Dagger in Their Coat)
A Satirical Essay on History’s Best-Dressed, Most Eloquent, and Sharpest Adversaries – Real and Illustrated
What would the world be like without frenemies? A concept so deeply rooted in history, it isn't easy to envisage a world without it. “Frenemies” is a word so elegant yet venomous that it should have been coined in the salons of antiquity. A fusion of friends and enemies – as potent as mixing wine with poison: it goes down smoothly but strikes hard. It's like a classic comedy where you hug each other warmly, all the while checking the hilts of each other’s daggers. The irony is as thick as the plot of a Shakespearean play, and the drama is as captivating as a Greek tragedy.
In Swedish, we have ‘bästa ovänner’ (“best enemies”), a term that captures both romantic dance duos and political fistfights – a state of mutual admiration and latent betrayal. However, it lacks the frenzy, finesse, and ironic sting that frenemies carry.
And never was it more vividly expressed than in the ancient world.
Chapter 1: The Art of the Triumvirate – Allied to Death
The First Triumvirate: Caesar, Pompey, and Crassus. Three men. Three ambitions. Three flavours of megalomania.
Caesar – the charismatic populist. Pompey – the Senate’s favourite and military genius. Crassus – the original finance bro, historically wealthy enough to buy both elections and friendships.
They entered the pact as brothers. They left as ashes. When Crassus died in Parthia and Pompey sided with the Senate, Caesar was left with the Rubicon behind him and Rome ahead. The ending? “Et tu, Brute?” – perhaps the most iconic frenemy quote in world history.
The Second Triumvirate: Octavian, Mark Antony, and Lepidus.
Same tune, different verse.
When Antony chose Cleopatra over the Senate, Octavian ramped up the political spin and painted him as the Empire’s greatest traitor. The Battle of Actium marked the end – and the start of the imperial age.
Chapter 2: Philosophers and Treacherous Friendships
Plato and Aristotle – Pupil and Master
Plato dreamed of the realm of ideals. Aristotle said, “Sure – but how about reality?” Their relationship was built on respect and subtle rejection. Aristotle took what he needed and moved on.
Socrates and Alcibiades – Mentor and the Seduced
Socrates called Alcibiades his favourite – and also his moral compass. Alcibiades was equally a seducer, war-monger, and traitor. Their relationship was a drama of desire, philosophy, and betrayal – and it ended as it had to: in a shocking catastrophe for both.
Seneca and Nero – Philosopher and Emperor
Seneca took Nero under his wing as if he were a son. That… didn’t end well. Nero set fire to the city, played the lyre, and ordered Seneca’s death. A conflicted relationship with a tragic end – yet also unintentionally humorous: the stoic Seneca calmly dying through multiple failed attempts, a tragicomedy in the grand theatre of history.
Chapter 3: Politicians, Poets and Other Dinner Party Threats
Cicero and Caesar
Cicero's admiration for Caesar was a fascinating dance of power and intellect. He, the Senate’s silver tongue, underestimated Caesar's steel will. Their exchange of letters was a veiled battle, and Cicero's later celebration of Caesar’s death was a dramatic twist. The story didn’t end well, with Cicero's head mounted on a spike, leaving us with a sense of tragic fascination.
Cicero and Mark Antony
This was personal. Cicero publicly mocked Antony’s morals, manners, and mind. Antony, not known for irony, responded with a death sentence.
Yet another frenemy with a price on his head.
Horace and Virgil
Roman poets with contrasting styles – lofty Virgil and earthy Horace.
They drank together, but never fully toasted each other’s legacy.
Chapter 4: Women in the Frenemy Trap
Even in antiquity, women mastered the art of complex friendship.
Cleopatra and Herodias?
They never met, but reflect each other in history's mirror: cunning, powerful, navigating male-dominated chessboards.
Women who often had to be their frenemies, in a world that never truly allowed them to choose.
Athena and Hera – Goddesses, powers, rivals.
They ruled Olympus. They competed in beauty, wisdom, and wrath. They collaborated, but mostly when someone else needed to fall.
Chapter 5: Why We Love Frenemies
Frenemies are the salt of drama—the fuel of tension. Without them? Just loyalty. With them? Fireworks, betrayals, and monologues with daggers. We’re fascinated not because they’re good, but because they’re human. Complex. Reflecting our struggles—just on a grander, more poetic scale. Frenemies are not just historical figures or literary characters; they are reflections of our human nature, our struggles with loyalty and betrayal. Their stories are not just intriguing, but also deeply entertaining and captivating.
Chapter 6: Dagger-Laced Dialogues – Intellectual Frenemies from Socrates to Sartre
Where ancient generals drew swords, these pairs fought with ink and wit. Here, letters were weapons, rhetoric was poison, and parchment became battlegrounds. Admiration and contempt intertwined. These intellectual frenemies engaged in battles of wits that were as stimulating as they were intriguing.
Socrates and Alcibiades
Athens, 400 BCE.
Socrates: barefoot philosopher. Alcibiades: the Greek James Bond – beautiful, brilliant, dangerous.
Socrates saw a diamond in the rough. Alcibiades saw a resistance he could never conquer. Their bond crackled with erotic tension, political fallout, and philosophical contradiction. Alcibiades betrayed Athens. Socrates defended him anyway, and that loyalty may have contributed to Socrates’ ruin.
A Greek tragedy in disguise as a frenemy tale.
Voltaire and Rousseau
When two geniuses can’t stand each other yet quote one another obsessively, you know it’s serious.
Voltaire, the elite defender of reason, and Rousseau, the barefoot rebel with a sentimental streak, were a study in intellectual tension. Voltaire's mockery of Rousseau’s weepy virtue and Rousseau's disdain for Voltaire as an empty wig with a pen were the sparks that fueled their relationship. They couldn't stop reading each other, their letters a battleground of ideas and intellect.
And yet, they couldn’t stop reading each other. Their letters began with “My most esteemed colleague…” and ended with intellectual jabs.
Had they had Twitter? What a Pandemonium!
Churchill and Roosevelt
While the world burned, they swapped whisky and wisecracks. Roosevelt called Churchill a relic with flair, and Churchill called Roosevelt unpredictable as the weather, but still admirable.
Churchill and Roosevelt, while swapping whisky and wisecracks, were engaged in a geopolitical dance of mutual necessity and polite sabotage. Churchill aimed to save the Empire, while Roosevelt sought to dismantle it quietly. Their alliance was a delicate balance of power, and when Roosevelt died, Churchill's tears were a testament to the complexity of their relationship.
Geopolitical frenemies – with nuclear ambitions.
Marx and Engels
Engels paid the bills. Marx wrote the chapters. Engels defended Capital. Marx nitpicked Engels’ grammar.
Marx had the fury and vision. Engels possessed the patience, logistics, and factory-funded snacks. A revolutionary partnership: Marx penned the Manifesto, while Engels washed the ideological dishes.
A frenemy bond of codependence – and proof that prophets need patrons.
Jefferson and Adams
Co-authors of independence. Then decades of disputes.
Adams: federalist, organised, prickly. Jefferson: poetic, libertarian, owned slaves while writing about freedom.
They slandered each other in the press. Ran against each other. Refused to speak.
Then – letters again. And in a twist of fate, they died on the same day: July 4, 1826—fifty years after their revolution, as if history itself demanded a curtain call.
Simone de Beauvoir and Jean-Paul Sartre
They wrote, loved, and argued endlessly. Their pact: total freedom. No marriage, many lovers. She called him the necessary man. He said my best work is thanks to you.
But behind the pages: power games, distance, deep frustration.
She wrote books. He drank wine and theorised. He was canonised. She was scrutinised.
They were the ultimate frenemies of existentialism – and a reminder that intellectual love is rarely straightforward.
Conclusion: Bittersweet Bonds Taste Best in Retrospect
What connects all these pairs? A flicker of admiration. A hint of rivalry. An unwillingness to let go. Perhaps friction is what keeps the fire burning. Possibly geniuses need someone to grind against – to shine.
Sherlock Holmes – The Lone Wolf with a Frenemy Fixation
Sherlock Holmes, the coldly logical master detective, claims he has no emotions. But in truth, he gathers them – like evidence. His relationships are few, yet those he has are steeped in that particular kind of intense ambivalence that defines the finest frenemies-a term used to describe a person who is both a friend and an enemy, often in a competitive or adversarial relationship.
Professor Moriarty is the perfect foil to Holmes. “The Napoleon of crime,” as Holmes labels him. A monstrous intellect that matches his own. Their confrontations are not mere battles, but intricate chess games played out in a fog of mystery. The showdown at the Reichenbach Falls is a chilling display of deadly symmetry, almost charged with a perverse sense of attraction. Without Moriarty, there is no genuine challenge. Without Holmes, no worthy adversary. They are like two fallen gods, drawn towards their mutual destruction.
And then there’s Irene Adler. The woman. Not even a villain – just a woman who happened to outsmart him at the worst possible moment. Holmes insists he doesn’t fall in love. So why does he keep her photograph hidden away in his private box, a place where he keeps his most personal and cherished possessions? Adler didn’t defeat him with weapons or trickery – but with something far more dangerous: dignity and self-respect. She wasn’t in love with him. She didn’t need him. Which is precisely why she was able to go where no one else ever did.
Despite his solitary nature, Holmes is not immune to emotional influence. Both Moriarty and Adler, in their unique ways, leave indelible marks on his carefully ordered world. They are not friends, nor enemies, but instead mirrors that reflect the emotional conflicts he would rather avoid.
So, the next time you argue with someone close… ask yourself: Are we, perhaps, just the next chapter in frenemy history?
Chapter 7: Masked Mismatches – Frenemies in the Comic Universe
It often begins with a glance. A punch. A shadow on the rooftop. And then—sparks. Not only from flamethrowers or laser eyes, but from something more elusive: a mutual respect behind the mask. Welcome to the comic world’s most intense relationships—where friends and foes switch places in the same panel, and rivalry often intertwines with a complex blend of admiration, irritation, and understanding.
Batman and Catwoman
He hunts her. She teases him. He embodies law, discipline, and self-denial. She personifies night, desire, and just enough rebellion to keep things interesting. Yet, they are drawn to each other like opposing magnetic forces.
When she steals, it’s with grace. When he catches her, there’s an almost imperceptible smile. They fight with velvet gloves. They kiss, with shields raised. Sometimes they stand on opposite sides of the law; other times on the same rooftop. Who wins? Depends on who’s writing the story.
Professor X and Magneto
They were friends. They became ideological opponents, but never fully enemies. Professor X believes in coexistence between humans and mutants. Magneto believes in power, revenge, and the superiority of mutants. It’s like Martin Luther King versus Malcolm X, but with mutant genes and mental superpowers.
Yet, they still play chess together. They continue to talk as old friends – because that’s what they are. Magneto admires Xavier, while Xavier wants to save Magneto from himself. Their enmity is a broken promise – and that’s what makes every encounter painful.
Spider-Man and Black Cat
He’s nervous, quick-witted, duty-bound. She’s confident, dangerous, and bewitching. Black Cat enters Spider-Man’s life like a storm—kissing him mid-battle, mocking his sense of duty, making him feel alive.
But she doesn’t love Peter Parker—she loves the mask. And he can’t just be Spider-Man. Their relationship is a flirtation with the impossible. A romantic trap spun like a web. Does it work? No. Does it ever stop being tempting? Never.
Superman and Lex Luthor
This is frenemies in its purest form—imbued with a hint of envy. Lex is the man who dreams of being a god. Superman is a god trying to be a man. Luthor despises him, yet he is also obsessed. Superman repeatedly saves him because he still believes there is something in Lex worth saving.
They are opposites. They are reflections. Without Lex, Superman is never truly tested. Without Superman, Lex has no real purpose. Their relationship is the ultimate high-stakes game: who shapes the world, power or principle?
Harley Quinn and Poison Ivy
Best friends. Sometimes more. Both criminals have hearts that shine through the chaos. Harley is chaos, Ivy is control. Together, they challenge not just Batman but also stereotypes.
They save each other. They argue. They run. They build something of their own amid mayhem – a kind of sisterhood with sharp claws and friendly toxins. Their friendship has become a feminist icon in a world often soaked in testosterone.
Deadpool and Wolverine
It begins with insults. It usually ends in blood. But in between, there’s a kind of admiration. Deadpool sees Wolverine as an angry older brother. Wolverine sees Deadpool as… a persistent itch he can’t shake.
They’re both weapons. They’re both broken. And they’re both incapable of not protecting each other, despite claiming to hate one another. Sometimes it’s that simple: a frenemy is the person who annoys you most, but you miss them when they’re gone.
Conclusion: Who Reflects Whom?
Frenemies in comics are more than just narrative tricks. They are the architects of the story, serving as reflections of identity, inner conflict, and that complex relationship we’ve all experienced – where attraction, irritation, and deep understanding intertwine. They shape the narrative, adding layers of intrigue and depth.
Because behind every mask, every claw, every cape, there’s a heart beating out of sync with someone else’s. And right there, in the tension between loyalty and betrayal, friendship and rivalry, something unforgettable unfolds.
Pots, Clubs, and Affection – Frenemies in Cartoons and Pop Culture
Not all frenemies wear capes and backstories. Sometimes, all you need is a frying pan and a lifelong losing streak. Tom and Jerry might be the purest examples of frenemy dynamics ever created. They chase, hit, and blow each other up – but never truly part ways. When an outsider threatens one, the other jumps in to defend. It’s love-hate in its most distilled form – and high-level cattiness. Their enduring relationship is a testament to the power of frenemy dynamics.
Bugs Bunny and Daffy Duck are another classic. Bugs is the cool trickster. Daffy is the hot-headed underdog, always trying to steal the spotlight – and constantly tripping over his ego. They share the stage, but not the terms. Yet they’re inseparable. Who would Daffy be without Bugs to envy? Who would Bugs be without someone to drive mad?
Elmer Fudd and Bugs? Same thing. And let’s not forget Road Runner and Wile E. Coyote. The Coyote is a brilliant engineer with zero success. The Road Runner zooms away, untouched. The Coyote explodes, crashes, crumbles – and tries again. It’s not friendship, but it’s a relationship that has lasted over 70 years. That says something.
In modern times, we have Gru and the Minions. He’s the villain trying to be nice. They’re the sidekicks stealing every scene. A frenemy dynamic in flock form – where loyalty, chaos, and giggles blend into a perfect formula.
Epilogue: A Friend With Footnotes
If you feel like you have a frenemy in your life, congratulations. It means you’re living a story worth telling. And perhaps, if luck is on your side, you’ll be remembered in the style of the greats.
“She was my best friend. And my worst enemy. And I loved every second of it.”
3 200 kr
Jörgen Thornberg
Malmö
Lite om bilder och mig. Translation in English at the end.
Jag är en nyfiken person som ser allt i bilder, även det jag fäster i ord, gärna tillsammans för bakom alla mina bilder finns en berättelse. Till vissa bilder hör en kortare eller längre novell som följer med bilden.
Bilder berättar historier. Jag omges av naturlig skönhet, intressanta människor och historia var jag än går. Jag använder min kamera för att dokumentera världen och blanda det jag ser med vad jag känner för att fånga den dolda magin.
Mina bilder berättar mina historier. Genom mina bilder, tryck och berättelser. Jag bjuder in dig att ta del av dessa berättelser, in i ditt liv och hem och dela min mycket personliga syn på vår värld. Mer än vad ögat ser. Jag tänker i bilder, drömmer och skriver och pratar om dem; följaktligen måste jag också skapa bilder. De blir vad jag ser, inte nödvändigtvis begränsade till verkligheten. Det finns en bild runt varje hörn. Jag hoppas att du kommer att se vad jag såg och gilla det.
Jag är också en skrivande person och till många bilder hör en kortare eller längre essay. Den följer med tavlan, tryckt på fint papper och med en personlig hälsning från mig.
Flertalet bilder startar sin resa i min kamera. Enkelt förklarat beskriver jag bilden jag ser i mitt inre, upplevd eller fantiserad. Bilden uppstår inom mig redan innan jag fått okularet till ögat. På bråkdelen av ett ögonblick ser jag vad jag vill ha och vad som kan göras med bilden. Här skall jag stoppa in en giraff, stålmannen, Titanic eller vad det är min fantasi finner ut. Ännu märkligare är att jag kommer ihåg minnesbilden långt efteråt när det blir tid att skapa verket. Om jag lyckas eller inte, är upp till betraktaren, oftast präglat av en stråk av svart humor – meningen är att man skall bli underhållen. Mina bilder blir ofta en snackis där de hänger.
Jag föredrar bilder som förmedlar ett budskap i flera lager. Vid första anblicken fylld av feel-good, en vacker utsikt, fint väder, solen skiner, blommor på ängen eller vattnet som ligger förrädiskt spegelblankt. I en sådan bild kan jag gömma min egentliga berättelse, mitt förakt för förtryckare och våldsverkare, rasister och fördomsfulla människor - ett gärna återkommande motiv mer eller mindre dolt i det vackra motivet. Jag försöker förena dem i ett gemensamt narrativ.
Bild och formgivning har löpt som en röd tråd genom livet. Fotokonst känns som en värdig final som jag gärna delar med mig.
Min genre är vid som framgår av mina bilder, temat en blandning av pop- och gatukonst i kollage som kan bestå av hundratals lager. Vissa bilder kan ta veckor, andra någon dag innan det är dags att överlämna resultatet till printverkstaden. Fine Art Prints är digitala fotocollage. I dessa kollage sker rivandet, klippandet, pusslandet, målandet, ritandet och sprayningen digitalt. Det jag monterar in kan vara hundratals år gamla bilder som jag omsorgsfullt frilägger så att de ser ut att vara en del av tavlan men också bilder skapade av mig själv efter min egen fantasi. Därefter besöks printstudion och för vissa bilder numrera en limiterad upplaga (oftast 7 exemplar) och signera för hand. Vissa bilder kan köpas i olika format. Det är bara att fråga efter vilka. Gillar man en bild som är 70x100 men inte har plats på väggen, går den kanske att få i 50x70 cm istället. Frågan är fri.
Metoden Giclée eller Fine Art Print som det också kallas är det moderna sättet för framställning av grafisk konst. Villkoret för denna typ av utskrifter är att en högkvalitativ storformatskrivare används med åldersbeständigt färgpigment och konstnärspapper eller i förekommande fall på duk. Pappret som används möter de krav på livslängd som ställs av museer och gallerier. Normalt säljer jag mina bilder oinramade så att den nya ägaren själv kan bestämma hur de skall se ut, med eller utan passepartout färg på ram, med eller utan glas etc..
Under många år ställde jag bara ut på nätet, i valda grupper och på min egen Facebooksida - https://www.facebook.com/jorgen.thornberg.9
Jag finns också på en egen hemsida som tyvärr inte alltid är uppdaterad – https://www.jth.life/ Där kan du också läsa en del av de berättelser som följer med bilden.
UTSTÄLLNINGAR
Luftkastellet, oktober 2022
Konst i Lund, november 2022
Luftkastellet, mars 2023
Engleson Galleri Caroli, april 2023
Hydra, Greece June 2023
Engleson Galleri Caroli, oktober 2023
Toppen, Höllviken december 2023
Luftkastellet, mars 2024
Torups Galleri, mars 2024
Venice, May 2024
Luftkastellet, oktober 2024
Konst i Advent, December 2024
Galleri Engleson, Caroli December 2024
Jäger & Jansson Galleri, april 2025
A bit about pictures and me.
I'm a curious person who sees everything in pictures, even what I express in words, often combining them, for behind all my pictures lies a story. These narratives, some as short as a single image and others as long as a novel, are the heart and soul of my work.
Pictures tell stories. Wherever I go, I'm surrounded by natural beauty, exciting people, and history. I use my camera to document the world and blend what I see with what I feel to capture the hidden magic.
My images tell my stories. Through my pictures, prints, and narratives, I invite you to partake in these stories in your life and home and share my deeply personal perspective of our world. More than meets the eye. I think in pictures, dream, write, and talk about them; consequently, I must create images too. They become what I see, not necessarily confined to reality. There's a picture around every corner. I hope you'll see what I saw and enjoy it.
I'm also a writer, and many images come with a shorter or longer essay. It accompanies the painting, printed on fine paper with my personal greeting.
Many pictures start their journey on my camera. Simply put, I describe the image I see in my mind, experienced or imagined. The image arises within me even before I bring the eyepiece to my eye. In a fraction of a moment, I see what I want and what can be done with the picture. Here, I'll insert a giraffe, Superman, the Titanic, or whatever my imagination conjures up. Even stranger is that I remember the mental image long after it's time to create the work. Whether I succeed is up to the observer, often imbued with a streak of black humour – the aim is to entertain. My pictures usually become a talking point wherever they hang.
I prefer pictures that convey a message in multiple layers. At first glance, they're filled with feel-good vibes, a beautiful view, lovely weather, the sun shining, flowers in the meadow, or the water lying deceptively calm. But beneath this surface beauty, I often conceal a deeper story, a narrative that challenges societal norms or explores the human condition. I invite you to delve into these hidden narratives and discover the layers of meaning within my work.
Picture and design have been a thread running through my life. Photographic art feels like a fitting finale, and I'm happy to share it.
My genre is varied, as seen in my pictures; the theme is a blend of pop and street art in collages that can consist of hundreds of layers. Some images can take weeks, others just a day before it's time to hand over the result to the print workshop. Fine Art Prints are digital photo collages. In these collages, tearing, cutting, puzzling, painting, drawing, and spraying happen digitally. What I insert can be images hundreds of years old that I carefully extract so they appear to be part of the painting, but also images created by myself, now also generated from my imagination. Next, visit the print studio and, for certain images, number a limited edition (usually 7 copies) and sign them by hand. Some images may be available in other formats. Just ask which ones. If you like an image that's 70x100 but doesn't have space on the wall, you might be able to get it in 50x70 cm instead. The question is open.
The Giclée method, or Fine Art Print as it's also called, is the modern way of producing graphic art. This method ensures the highest quality and longevity of the artwork, using a high-quality large-format printer with archival pigment inks and artist paper or, in some cases, canvas. The paper used meets the longevity requirements set by museums and galleries. I sell my pictures unframed, allowing the new owner to personalise their artwork, confident in the lasting value and quality of the piece.
For many years, I only exhibited online, in selected groups, and on my Facebook page - https://www.facebook.com/jorgen.thornberg.9. I also have my website, which unfortunately is not constantly updated - https://www.jth.life/. You can also read some of the stories accompanying the pictures there.
EXHIBITIONS
Luftkastellet, October 2022
Art in Lund, November 2022
Luftkastellet, March 2023
Engleson Gallery Caroli, April 2023
Hydra, Greece June 2023
Engleson Gallery Caroli, October 2023
Toppen, Höllviken December 2023
Luftkastellet, March 2024
Torup Gallery, March 2024
Venice, May 2024
UTSTÄLLNINGAR
Luftkastellet, oktober 2022
Konst i Lund, november 2022
Luftkastellet, mars 2023
Engleson Galleri Caroli, april 2023
Hydra, Greece June 2023
Engleson Galleri Caroli, oktober 2023
Toppen, Höllviken december 2023
Luftkastellet, mars 2024
Torups Galleri, mars 2024
Venice, May 2024
Luftkastellet, October 2024
Konst i Advent, December 2024
Galleri Engleson, Caroli December 2024
Jäger & Jansson Galleri, April 2025
Utbildning
Autodidakt
Medlem i konstnärsförening
Öppna Sinnen
Med i konstrunda
Konstrundan i Skåne
Utställningar
Luftkastellet, October 2022
Art in Lund, November 2022
Luftkastellet, March 2023
Engleson Gallery Caroli, April 2023
Hydra, Greece June 2023
Engleson Gallery Caroli, October 2023
Toppen, Höllviken December 2023
Luftkastellet, March 2024
Torup Gallery, March 2024
Venice, May 2024