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Jörgen Thornberg
Soft-nosed Wollop girl in the yellow, 2024
Digital
50 x 50 cm
2 500 kr
It was evening, and the sky began to turn pink, which made the yellow rapeseed appear even more beautiful. I had taken an evening stroll outside the little Scania village of Tittente. Amidst the yellow rapeseed fields on the small gravel road stood the neighbour's grandchild staring at a strange bird.
"Is it the stork that's come?" asked the cheerful Scania lad standing next to me on the road along the rapeseed field. Even though his grandfather was a farmer, there was much a city boy from Malmö didn't know about nature. Telling a stork apart from a quirky bird isn't easy, even for an adult.
"No, little friend. The stork is on its way but hasn't arrived yet. It is delayed in Germany but will arrive in a week or two. These are some mythical birds amongst the rapeseed. Beautiful, aren't they?" I said, overly friendly, as I knew his mother was expecting a little brother. Nowadays, people know what's kicking inside the belly. The boy would probably consider it a little brother he could teach to play football. His eyes sparkled with curiosity about the mythical birds, a topic I was about to delve into.
"Mythical? Does that mean they don't exist?" he asked sceptically.
"In a way, but not really. Since we both see them, they exist, even if only in a book."
"Tell me," the lad said eagerly, as I was known for quirky pictures and stories.
"Okay. I will try. Vincent Cartwright Vickers, author and illustrator of 'The Google Book', as it was called, is a book full of quirky birds. He was, just like your father, a prominent economist. He created the highly imaginative world of the Google bird."
"Google bird! Can you search for them?"
"You sure can. His book is set in the Land of Google, which can only be visited by children when they are 'nearly - but not quite - asleep'; its focus is the eponymous Google, a magical bird creature that sleeps in a pool within a beautiful garden by day and preys upon the various other extravagant, remarkable birds that dwell therein by night. Notably, by creating this fantasy world and producing some of the most striking and whimsical imagery of the Golden Age of book illustration, Vincent pioneered using the word 'Google' decades before it became the name of a well-known search engine."
"How cool! A Google bird! I should have known they existed. And we've got some on Grandpa's field. I hope they don't eat his rapeseed."
"I don't think so. The book was first published in 1913. That's over a hundred years ago, so the birds are old. Vincent was a member of the well-known family of military armaments manufacturers of the same name. Vincent had a passion for animals and birds and was a fellow of the Royal Zoological Society. He had no formal training in art but was an accomplished artist. He liked to draw birds at every opportunity, even painting an exotic bird onto the back of his Humber Snipe car. Vincent used the word 'Google' - long before it took on other connotations - as the name of the monster living in a garden that sleeps in a pool by day and preys on the various birds of Google land by night. So, the Americans have stolen his name. Vincent also worked as a humorist, which you can understand when you see his pictures."
"Who's the big bird that looks so eager?"
"The one looking so fondly at the quirky bird-girl is The Gogo or Camel Bird. He doesn't care about the rapeseed but rather the girl. He is one of the largest birds in Google Land, and there's not enough room for his body in the picture, so he sneaks in from the side. He eats almost everything: tiny young birds that can hardly fly. He is horribly cruel, and no one, not even Google itself, wants him to remain in Google Land. That's why they call him Gogo - go go, meaning get out of here!"
"Yikes! Maybe I should watch out."
"That might be best, but he seems absorbed by the soft-nosed Wollop girl who lives on ice in the winter. In summer, she devours halibuts and soles whole. She likes it when it rains; when it's slippery, she turns on her back and rolls."
"Do you see the diving bird?" The lad pointed at the sky.
"Yes, and that's where the excitement lies. It's the little Junket with his pointed beak, sharp as a spear tip. He spots his prey from almost any altitude and dives from a terrifying height. He will plunge into the Gogo if he's not careful. Can you imagine the thrill of such a chase, my young friend?" The big bird must have seen the Junket because he vanished in the next second as if swallowed up by the rapeseed. The same happened with the girl and the diving bird. No matter how much we squinted against the pink sky, all the quirky birds were gone, and we turned back towards the village.
"We won't tell anyone, right?" said the lad knowingly.
"No, it'll be our secret. Not everyone needs to know everything; otherwise, life would be boring."
As the chill of winter subsides and spring awakens the earth, the landscape in many parts of the world transforms into a tapestry of golden yellow, heralding the arrival of one of nature's most captivating crops: rapeseed. Fields stretching to the horizon, bathed in sunlight and shimmering like a sea of gold, evoke a sense of renewal, beauty, and abundance. The sight of rapeseed in bloom is a feast for the senses and a reminder of nature's capacity to inspire joy and wonder.
Immersed in the heart of a rapeseed field, the air is filled with the sweet scent of spring, and the eyes are met with a vibrant yellow blanket stretching in every direction. This sensory experience stirs something deep within as the warm hues conjure memories of sunny afternoons, gentle breezes, and childhood games. The bright yellow flowers of rapeseed radiate unparalleled warmth and vitality; their colour is often associated with optimism, creativity, and energy. Combined with the clear blue sky and the verdant green of surrounding hills or woods, the fields evoke a sense of endless possibilities and the intoxicating promise of spring.
The delicate petals flutter as the breeze sweeps through the fields, creating a rustling sound like a gentle whisper. This harmonious symphony and the song of birds returning from winter migrations complete the idyllic scene. The heady scent of rapeseed flowers fills the air, making spring sensations vibrate in the nostrils, sparking the spirit and igniting a sense of renewal. From a distance, the rapeseed fields resemble a vast quilt stitched together by nature. The varying shades of yellow, depending on the sun's angle and the field's maturity, provide a rich mosaic that complements the surrounding landscape and accentuates the vibrant colours of spring.
Yet, beyond their romantic allure, these fields represent something much more. Rapeseed, scientifically known as *Brassica napus*, is one of the world's most important oilseed crops. It thrives in temperate climates and has been cultivated for thousands of years. Traditionally used for lamp oil and animal fodder, the crop's modern resurgence is due to its versatile crude, known as canola oil in North America. This oil is prized for its light flavour, high smoke point, and heart-healthy properties, making it a staple in kitchens worldwide. Beyond culinary uses, rapeseed oil is also used in biodiesel production, reducing our reliance on fossil fuels and offering a sustainable energy alternative.
The economic significance of rapeseed fields extends beyond oil production. Their cultivation is a vital part of maintaining soil health. As a cover crop, rapeseed prevents erosion, enriches the soil with organic matter, and suppresses weeds. Its deep roots also help break up compacted soils, promoting better water infiltration and nutrient uptake for subsequent crops. The fields serve as a crucial habitat for pollinators like bees, drawn to the flowers' nectar. This symbiotic relationship not only supports biodiversity but also ensures the successful pollination of the crop, highlighting the ecological importance of rapeseed fields.
Rapeseed fields have become an iconic symbol of spring in many parts of Europe, particularly in the UK, France, and Germany. In the coastal regions of southern Sweden, the fields seem to emerge from the sea, draping the undulating hills in a golden blanket. The landscape transforms into a paradise for photographers, nature lovers, and those seeking solace in the beauty of nature. The golden fields have inspired countless artists, poets, and writers, capturing the imagination with their vibrancy and splendour, underscoring the cultural significance of rapeseed fields.
Witnessing nature's cycles and rhythms has a certain romance, and the rapeseed fields embody this beautifully. They remind us that even after the darkest winters, the sun will rise again, and life will burst forth in glorious colours. In a world that often feels disconnected from the natural rhythms of life, these fields offer a moment of grounding and reconnection.
Yet, the story of rapeseed is not just one of beauty and economy but also one of resilience and adaptation. Despite facing challenges such as climate change, pests, and diseases, farmers have continued to innovate, developing more resilient varieties and sustainable farming practices. This determination and ingenuity ensure that the fields will continue to bloom, year after year, painting the landscape in golden hues and filling the air with the sweet scent of spring. Their unwavering commitment to the land is a testament to the human spirit and our deep connection with nature.
So, the next time you find yourself near a rapeseed field, take a moment to breathe in the fragrant air, listen to the whispering breeze, and marvel at the sea of gold stretching to the horizon. It is a reminder that amidst the chaos and uncertainty of life, there is still beauty and wonder in the world, waiting to be discovered in the golden fields of spring.

Jörgen Thornberg
Soft-nosed Wollop girl in the yellow, 2024
Digital
50 x 50 cm
2 500 kr
It was evening, and the sky began to turn pink, which made the yellow rapeseed appear even more beautiful. I had taken an evening stroll outside the little Scania village of Tittente. Amidst the yellow rapeseed fields on the small gravel road stood the neighbour's grandchild staring at a strange bird.
"Is it the stork that's come?" asked the cheerful Scania lad standing next to me on the road along the rapeseed field. Even though his grandfather was a farmer, there was much a city boy from Malmö didn't know about nature. Telling a stork apart from a quirky bird isn't easy, even for an adult.
"No, little friend. The stork is on its way but hasn't arrived yet. It is delayed in Germany but will arrive in a week or two. These are some mythical birds amongst the rapeseed. Beautiful, aren't they?" I said, overly friendly, as I knew his mother was expecting a little brother. Nowadays, people know what's kicking inside the belly. The boy would probably consider it a little brother he could teach to play football. His eyes sparkled with curiosity about the mythical birds, a topic I was about to delve into.
"Mythical? Does that mean they don't exist?" he asked sceptically.
"In a way, but not really. Since we both see them, they exist, even if only in a book."
"Tell me," the lad said eagerly, as I was known for quirky pictures and stories.
"Okay. I will try. Vincent Cartwright Vickers, author and illustrator of 'The Google Book', as it was called, is a book full of quirky birds. He was, just like your father, a prominent economist. He created the highly imaginative world of the Google bird."
"Google bird! Can you search for them?"
"You sure can. His book is set in the Land of Google, which can only be visited by children when they are 'nearly - but not quite - asleep'; its focus is the eponymous Google, a magical bird creature that sleeps in a pool within a beautiful garden by day and preys upon the various other extravagant, remarkable birds that dwell therein by night. Notably, by creating this fantasy world and producing some of the most striking and whimsical imagery of the Golden Age of book illustration, Vincent pioneered using the word 'Google' decades before it became the name of a well-known search engine."
"How cool! A Google bird! I should have known they existed. And we've got some on Grandpa's field. I hope they don't eat his rapeseed."
"I don't think so. The book was first published in 1913. That's over a hundred years ago, so the birds are old. Vincent was a member of the well-known family of military armaments manufacturers of the same name. Vincent had a passion for animals and birds and was a fellow of the Royal Zoological Society. He had no formal training in art but was an accomplished artist. He liked to draw birds at every opportunity, even painting an exotic bird onto the back of his Humber Snipe car. Vincent used the word 'Google' - long before it took on other connotations - as the name of the monster living in a garden that sleeps in a pool by day and preys on the various birds of Google land by night. So, the Americans have stolen his name. Vincent also worked as a humorist, which you can understand when you see his pictures."
"Who's the big bird that looks so eager?"
"The one looking so fondly at the quirky bird-girl is The Gogo or Camel Bird. He doesn't care about the rapeseed but rather the girl. He is one of the largest birds in Google Land, and there's not enough room for his body in the picture, so he sneaks in from the side. He eats almost everything: tiny young birds that can hardly fly. He is horribly cruel, and no one, not even Google itself, wants him to remain in Google Land. That's why they call him Gogo - go go, meaning get out of here!"
"Yikes! Maybe I should watch out."
"That might be best, but he seems absorbed by the soft-nosed Wollop girl who lives on ice in the winter. In summer, she devours halibuts and soles whole. She likes it when it rains; when it's slippery, she turns on her back and rolls."
"Do you see the diving bird?" The lad pointed at the sky.
"Yes, and that's where the excitement lies. It's the little Junket with his pointed beak, sharp as a spear tip. He spots his prey from almost any altitude and dives from a terrifying height. He will plunge into the Gogo if he's not careful. Can you imagine the thrill of such a chase, my young friend?" The big bird must have seen the Junket because he vanished in the next second as if swallowed up by the rapeseed. The same happened with the girl and the diving bird. No matter how much we squinted against the pink sky, all the quirky birds were gone, and we turned back towards the village.
"We won't tell anyone, right?" said the lad knowingly.
"No, it'll be our secret. Not everyone needs to know everything; otherwise, life would be boring."
As the chill of winter subsides and spring awakens the earth, the landscape in many parts of the world transforms into a tapestry of golden yellow, heralding the arrival of one of nature's most captivating crops: rapeseed. Fields stretching to the horizon, bathed in sunlight and shimmering like a sea of gold, evoke a sense of renewal, beauty, and abundance. The sight of rapeseed in bloom is a feast for the senses and a reminder of nature's capacity to inspire joy and wonder.
Immersed in the heart of a rapeseed field, the air is filled with the sweet scent of spring, and the eyes are met with a vibrant yellow blanket stretching in every direction. This sensory experience stirs something deep within as the warm hues conjure memories of sunny afternoons, gentle breezes, and childhood games. The bright yellow flowers of rapeseed radiate unparalleled warmth and vitality; their colour is often associated with optimism, creativity, and energy. Combined with the clear blue sky and the verdant green of surrounding hills or woods, the fields evoke a sense of endless possibilities and the intoxicating promise of spring.
The delicate petals flutter as the breeze sweeps through the fields, creating a rustling sound like a gentle whisper. This harmonious symphony and the song of birds returning from winter migrations complete the idyllic scene. The heady scent of rapeseed flowers fills the air, making spring sensations vibrate in the nostrils, sparking the spirit and igniting a sense of renewal. From a distance, the rapeseed fields resemble a vast quilt stitched together by nature. The varying shades of yellow, depending on the sun's angle and the field's maturity, provide a rich mosaic that complements the surrounding landscape and accentuates the vibrant colours of spring.
Yet, beyond their romantic allure, these fields represent something much more. Rapeseed, scientifically known as *Brassica napus*, is one of the world's most important oilseed crops. It thrives in temperate climates and has been cultivated for thousands of years. Traditionally used for lamp oil and animal fodder, the crop's modern resurgence is due to its versatile crude, known as canola oil in North America. This oil is prized for its light flavour, high smoke point, and heart-healthy properties, making it a staple in kitchens worldwide. Beyond culinary uses, rapeseed oil is also used in biodiesel production, reducing our reliance on fossil fuels and offering a sustainable energy alternative.
The economic significance of rapeseed fields extends beyond oil production. Their cultivation is a vital part of maintaining soil health. As a cover crop, rapeseed prevents erosion, enriches the soil with organic matter, and suppresses weeds. Its deep roots also help break up compacted soils, promoting better water infiltration and nutrient uptake for subsequent crops. The fields serve as a crucial habitat for pollinators like bees, drawn to the flowers' nectar. This symbiotic relationship not only supports biodiversity but also ensures the successful pollination of the crop, highlighting the ecological importance of rapeseed fields.
Rapeseed fields have become an iconic symbol of spring in many parts of Europe, particularly in the UK, France, and Germany. In the coastal regions of southern Sweden, the fields seem to emerge from the sea, draping the undulating hills in a golden blanket. The landscape transforms into a paradise for photographers, nature lovers, and those seeking solace in the beauty of nature. The golden fields have inspired countless artists, poets, and writers, capturing the imagination with their vibrancy and splendour, underscoring the cultural significance of rapeseed fields.
Witnessing nature's cycles and rhythms has a certain romance, and the rapeseed fields embody this beautifully. They remind us that even after the darkest winters, the sun will rise again, and life will burst forth in glorious colours. In a world that often feels disconnected from the natural rhythms of life, these fields offer a moment of grounding and reconnection.
Yet, the story of rapeseed is not just one of beauty and economy but also one of resilience and adaptation. Despite facing challenges such as climate change, pests, and diseases, farmers have continued to innovate, developing more resilient varieties and sustainable farming practices. This determination and ingenuity ensure that the fields will continue to bloom, year after year, painting the landscape in golden hues and filling the air with the sweet scent of spring. Their unwavering commitment to the land is a testament to the human spirit and our deep connection with nature.
So, the next time you find yourself near a rapeseed field, take a moment to breathe in the fragrant air, listen to the whispering breeze, and marvel at the sea of gold stretching to the horizon. It is a reminder that amidst the chaos and uncertainty of life, there is still beauty and wonder in the world, waiting to be discovered in the golden fields of spring.
2 500 kr
Jörgen Thornberg
Malmö
Lite om bilder och mig. Translation in English at the end.
Jag är en nyfiken person som ser allt i bilder, även det jag fäster i ord, gärna tillsammans för bakom alla mina bilder finns en berättelse. Till vissa bilder hör en kortare eller längre novell som följer med bilden.
Bilder berättar historier. Jag omges av naturlig skönhet, intressanta människor och historia var jag än går. Jag använder min kamera för att dokumentera världen och blanda det jag ser med vad jag känner för att fånga den dolda magin.
Mina bilder berättar mina historier. Genom mina bilder, tryck och berättelser. Jag bjuder in dig att ta del av dessa berättelser, in i ditt liv och hem och dela min mycket personliga syn på vår värld. Mer än vad ögat ser. Jag tänker i bilder, drömmer och skriver och pratar om dem; följaktligen måste jag också skapa bilder. De blir vad jag ser, inte nödvändigtvis begränsade till verkligheten. Det finns en bild runt varje hörn. Jag hoppas att du kommer att se vad jag såg och gilla det.
Jag är också en skrivande person och till många bilder hör en kortare eller längre essay. Den följer med tavlan, tryckt på fint papper och med en personlig hälsning från mig.
Flertalet bilder startar sin resa i min kamera. Enkelt förklarat beskriver jag bilden jag ser i mitt inre, upplevd eller fantiserad. Bilden uppstår inom mig redan innan jag fått okularet till ögat. På bråkdelen av ett ögonblick ser jag vad jag vill ha och vad som kan göras med bilden. Här skall jag stoppa in en giraff, stålmannen, Titanic eller vad det är min fantasi finner ut. Ännu märkligare är att jag kommer ihåg minnesbilden långt efteråt när det blir tid att skapa verket. Om jag lyckas eller inte, är upp till betraktaren, oftast präglat av en stråk av svart humor – meningen är att man skall bli underhållen. Mina bilder blir ofta en snackis där de hänger.
Jag föredrar bilder som förmedlar ett budskap i flera lager. Vid första anblicken fylld av feel-good, en vacker utsikt, fint väder, solen skiner, blommor på ängen eller vattnet som ligger förrädiskt spegelblankt. I en sådan bild kan jag gömma min egentliga berättelse, mitt förakt för förtryckare och våldsverkare, rasister och fördomsfulla människor - ett gärna återkommande motiv mer eller mindre dolt i det vackra motivet. Jag försöker förena dem i ett gemensamt narrativ.
Bild och formgivning har löpt som en röd tråd genom livet. Fotokonst känns som en värdig final som jag gärna delar med mig.
Min genre är vid som framgår av mina bilder, temat en blandning av pop- och gatukonst i kollage som kan bestå av hundratals lager. Vissa bilder kan ta veckor, andra någon dag innan det är dags att överlämna resultatet till printverkstaden. Fine Art Prints är digitala fotocollage. I dessa kollage sker rivandet, klippandet, pusslandet, målandet, ritandet och sprayningen digitalt. Det jag monterar in kan vara hundratals år gamla bilder som jag omsorgsfullt frilägger så att de ser ut att vara en del av tavlan men också bilder skapade av mig själv efter min egen fantasi. Därefter besöks printstudion och för vissa bilder numrera en limiterad upplaga (oftast 7 exemplar) och signera för hand. Vissa bilder kan köpas i olika format. Det är bara att fråga efter vilka. Gillar man en bild som är 70x100 men inte har plats på väggen, går den kanske att få i 50x70 cm istället. Frågan är fri.
Metoden Giclée eller Fine Art Print som det också kallas är det moderna sättet för framställning av grafisk konst. Villkoret för denna typ av utskrifter är att en högkvalitativ storformatskrivare används med åldersbeständigt färgpigment och konstnärspapper eller i förekommande fall på duk. Pappret som används möter de krav på livslängd som ställs av museer och gallerier. Normalt säljer jag mina bilder oinramade så att den nya ägaren själv kan bestämma hur de skall se ut, med eller utan passepartout färg på ram, med eller utan glas etc..
Under många år ställde jag bara ut på nätet, i valda grupper och på min egen Facebooksida - https://www.facebook.com/jorgen.thornberg.9
Jag finns också på en egen hemsida som tyvärr inte alltid är uppdaterad – https://www.jth.life/ Där kan du också läsa en del av de berättelser som följer med bilden.
UTSTÄLLNINGAR
Luftkastellet, oktober 2022
Konst i Lund, november 2022
Luftkastellet, mars 2023
Engleson Galleri Caroli, april 2023
Hydra, Greece June 2023
Engleson Galleri Caroli, oktober 2023
Toppen, Höllviken december 2023
Luftkastellet, mars 2024
Torups Galleri, mars 2024
Venice, May 2024
Luftkastellet, oktober 2024
Konst i Advent, December 2024
Galleri Engleson, Caroli December 2024
Jäger & Jansson Galleri, april 2025
A bit about pictures and me.
I'm a curious person who sees everything in pictures, even what I express in words, often combining them, for behind all my pictures lies a story. These narratives, some as short as a single image and others as long as a novel, are the heart and soul of my work.
Pictures tell stories. Wherever I go, I'm surrounded by natural beauty, exciting people, and history. I use my camera to document the world and blend what I see with what I feel to capture the hidden magic.
My images tell my stories. Through my pictures, prints, and narratives, I invite you to partake in these stories in your life and home and share my deeply personal perspective of our world. More than meets the eye. I think in pictures, dream, write, and talk about them; consequently, I must create images too. They become what I see, not necessarily confined to reality. There's a picture around every corner. I hope you'll see what I saw and enjoy it.
I'm also a writer, and many images come with a shorter or longer essay. It accompanies the painting, printed on fine paper with my personal greeting.
Many pictures start their journey on my camera. Simply put, I describe the image I see in my mind, experienced or imagined. The image arises within me even before I bring the eyepiece to my eye. In a fraction of a moment, I see what I want and what can be done with the picture. Here, I'll insert a giraffe, Superman, the Titanic, or whatever my imagination conjures up. Even stranger is that I remember the mental image long after it's time to create the work. Whether I succeed is up to the observer, often imbued with a streak of black humour – the aim is to entertain. My pictures usually become a talking point wherever they hang.
I prefer pictures that convey a message in multiple layers. At first glance, they're filled with feel-good vibes, a beautiful view, lovely weather, the sun shining, flowers in the meadow, or the water lying deceptively calm. But beneath this surface beauty, I often conceal a deeper story, a narrative that challenges societal norms or explores the human condition. I invite you to delve into these hidden narratives and discover the layers of meaning within my work.
Picture and design have been a thread running through my life. Photographic art feels like a fitting finale, and I'm happy to share it.
My genre is varied, as seen in my pictures; the theme is a blend of pop and street art in collages that can consist of hundreds of layers. Some images can take weeks, others just a day before it's time to hand over the result to the print workshop. Fine Art Prints are digital photo collages. In these collages, tearing, cutting, puzzling, painting, drawing, and spraying happen digitally. What I insert can be images hundreds of years old that I carefully extract so they appear to be part of the painting, but also images created by myself, now also generated from my imagination. Next, visit the print studio and, for certain images, number a limited edition (usually 7 copies) and sign them by hand. Some images may be available in other formats. Just ask which ones. If you like an image that's 70x100 but doesn't have space on the wall, you might be able to get it in 50x70 cm instead. The question is open.
The Giclée method, or Fine Art Print as it's also called, is the modern way of producing graphic art. This method ensures the highest quality and longevity of the artwork, using a high-quality large-format printer with archival pigment inks and artist paper or, in some cases, canvas. The paper used meets the longevity requirements set by museums and galleries. I sell my pictures unframed, allowing the new owner to personalise their artwork, confident in the lasting value and quality of the piece.
For many years, I only exhibited online, in selected groups, and on my Facebook page - https://www.facebook.com/jorgen.thornberg.9. I also have my website, which unfortunately is not constantly updated - https://www.jth.life/. You can also read some of the stories accompanying the pictures there.
EXHIBITIONS
Luftkastellet, October 2022
Art in Lund, November 2022
Luftkastellet, March 2023
Engleson Gallery Caroli, April 2023
Hydra, Greece June 2023
Engleson Gallery Caroli, October 2023
Toppen, Höllviken December 2023
Luftkastellet, March 2024
Torup Gallery, March 2024
Venice, May 2024
UTSTÄLLNINGAR
Luftkastellet, oktober 2022
Konst i Lund, november 2022
Luftkastellet, mars 2023
Engleson Galleri Caroli, april 2023
Hydra, Greece June 2023
Engleson Galleri Caroli, oktober 2023
Toppen, Höllviken december 2023
Luftkastellet, mars 2024
Torups Galleri, mars 2024
Venice, May 2024
Luftkastellet, October 2024
Konst i Advent, December 2024
Galleri Engleson, Caroli December 2024
Jäger & Jansson Galleri, April 2025
Utbildning
Autodidakt
Medlem i konstnärsförening
Öppna Sinnen
Med i konstrunda
Konstrundan i Skåne
Utställningar
Luftkastellet, October 2022
Art in Lund, November 2022
Luftkastellet, March 2023
Engleson Gallery Caroli, April 2023
Hydra, Greece June 2023
Engleson Gallery Caroli, October 2023
Toppen, Höllviken December 2023
Luftkastellet, March 2024
Torup Gallery, March 2024
Venice, May 2024