Whiskey on the rocks baby? av Sofia Reshmi

Sofia Reshmi

Whiskey on the rocks baby?, 2026

Annan
30 x 30 x 1 cm

The Bored Housewives Collection: These pieces explores the contradiction between the image of the perfect housewife and the weight of expectations women place on themselves and each other. It captures the tension between social norms and the raw, untamed strength that lies within every womanthe fearless protector, the fierce guardian of her own. It is a tribute to the duality of femininity: the nurturer and the warrior, the caretaker and the wild spirit. In a world that often demands women to be soft yet strong, obedient yet bold, this artwork challenges us to embrace the power of both.

Whiskey on the rocks baby? av Sofia Reshmi

Sofia Reshmi

Whiskey on the rocks baby?, 2026

Annan
30 x 30 x 1 cm

The Bored Housewives Collection: These pieces explores the contradiction between the image of the perfect housewife and the weight of expectations women place on themselves and each other. It captures the tension between social norms and the raw, untamed strength that lies within every womanthe fearless protector, the fierce guardian of her own. It is a tribute to the duality of femininity: the nurturer and the warrior, the caretaker and the wild spirit. In a world that often demands women to be soft yet strong, obedient yet bold, this artwork challenges us to embrace the power of both.

Sofia Reshmi

Sofia Reshmi

Höllviken

Sofia Reshmi is a Swedish contemporary artist based in Berlin, whose practice moves between painting, photography, sculpture and mixed media. Working across a number of interconnected series, she combines found imagery, Polaroids, paint, spray, text and sculptural elements to create works that are at once visually immediate and conceptually layered.
Her work explores identity, belonging, longing, desire and the tension between the individual and the world around us. Personal experiences are often transformed into visual narratives that leave room for ambiguity, humour and emotional recognition. Rather than telling a single story, Reshmi creates fragments, symbols and situations that invite the viewer to complete the narrative themselves.
A distinctive part of her practice is the way she combines familiar visual languages with unexpected materials and contexts. Pop-cultural references, personal memories, everyday objects and archetypal imagery can coexist within the same work, creating a visual language that is playful on the surface while carrying a deeper emotional undercurrent.
Recent bodies of work include Mallorca / Coming Home, Analogue Stories, Longing: Distance, Boring Housewives, Urbano Cats and Transitions. Across these series, Reshmi continuously investigates what it means to belong to a place, to another person, to a memory, or ultimately to oneself.
Reshmi's career has developed rapidly since she began presenting her work publicly, with collectors across Europe, the US and other international markets. Her practice is increasingly positioned at the intersection of contemporary art, visual culture and a new generation of artist-led international practice.
Based in Sweden, Reshmi works with both intimate and large-scale formats and continues to develop an expanding body of work intended for an international audience.
Reshmi has also founded the international invitationalclub Social Art Club (SAC.) which brings collectors and artlovers together.

Utställningar
www.xraycollectiveart.com

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