Summit av Amelia Coward

Amelia Coward

Summit, 2026

Blandteknik
83 x 83 x 4 cm

2 600 kr

Vintage mountain and landscape images bonded onto wood and cut into 3cm dots. Assembled into a geometric grid composition, sky and cloud dots are interspersed with silver leaf dots.

A beautiful variation of blues, white, violets and greys selected from encyclopaedias, atlases and mountain climbing books, carefully selected, hand-cut and bonded onto birch wood.

82cm x 82cm

Available framed in a white or black solid wood box frame.

We use museum quality UV perspex glaze to protect the artwork from fade.

Carefully wrapped and packaged inside a custom-made box with protective corners for safe shipping worldwide

Amelia Coward

Summit av Amelia Coward

Amelia Coward

Summit, 2026

Blandteknik
83 x 83 x 4 cm

2 600 kr

Vintage mountain and landscape images bonded onto wood and cut into 3cm dots. Assembled into a geometric grid composition, sky and cloud dots are interspersed with silver leaf dots.

A beautiful variation of blues, white, violets and greys selected from encyclopaedias, atlases and mountain climbing books, carefully selected, hand-cut and bonded onto birch wood.

82cm x 82cm

Available framed in a white or black solid wood box frame.

We use museum quality UV perspex glaze to protect the artwork from fade.

Carefully wrapped and packaged inside a custom-made box with protective corners for safe shipping worldwide

2 600 kr

Amelia Coward

Amelia Coward

Boughton-under-Blean, Faversham

Amelia Coward is a Kent based artist best known for her explorations into mixing, blending and grading colours.

1st class honours from

Having received training based upon the colour theory teachings of Josef Albers, Amelia creates artworks that focus on the interaction of colours. Her works are carefully composed studies of spacial balance between geometric coloured elements such as circles and stripes. Influenced heavily by her woven textile training she uses laser cutters much the same way as she was trained to use a loom, cutting geometric shapes then reassembling them in patchwork compositions. Her works move dramatically from highly detailed dot pieces containing sometimes 1000’s of raised hand-painted dots to large scale striped pieces comprised of contrasting scales and bold clashing colours.

Utbildning
Central St Martins London
MA Royal College of Art London

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