Bucket, Spade & Cape av Jörgen Thornberg

Jörgen Thornberg

Bucket, Spade & Cape, 2025

Digital
50 x 70 cm

3 200 kr

Bucket, Spade & Cape

Some mornings don’t start with battles or headlines. Some mornings don’t begin with capes fluttering in the wind or distant cries for help.

Some mornings start quietly, with two tired heroes flying towards a strip of sand, carrying nothing but a bucket, a spade, and a beach bag. The air is calm, the waves are gentle, and the world is at peace.

On this particular morning, Superman was not the Man of Steel. He was simply Clark, a boy from Kansas with bare feet in warm sand. Wonder Woman was not a warrior princess – she was just Diana, smiling at the thought of seashells and sunshine. It's a rare glimpse into the personal lives of these larger-than-life figures, a reminder that even the most powerful beings have moments of simplicity and joy.

It was the sort of morning when even legends remember how to play, when the weight of the world is momentarily forgotten, and joy takes over.

”Let’s go to the beach!
- Monster song for kids and Super people

Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!

We’ll make a sandcastle.
Build it nice and high.
Or we could fly a kite,
way up in the sky.
Then we can play catch.
Throw around a ball.
There’s so much that we could do.
I want to do it all.

Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!

We’ll look for seashells,
buried in the sand.
Draw pictures with a stick,
or even just our hand.

We’ll make some footprints
as we walk along the shore.
We’ll take a break and have a snack,
and then we’ll play some more.

Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!

We’ll have so much fun.
Underneath the sun.
Lots to do and see.
Splash along with me.

Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!”
Rhymington Square, 2023

Superman, Wonder Woman, and the Secret of Rhymington Square

On a breezy summer morning over Skanör, two familiar silhouettes streak across the sky. Superman, 87 years old but still as swift as ever, carried not the weight of the world but a bright blue plastic bucket and a yellow spade. Wonder Woman, 84 and as radiant as ever, glided just behind him, a striped beach bag casually slung over one shoulder. Their age, a testament to their enduring strength and resilience, was not a hindrance but a part of their charm. They were not on a mission. There was no villain to defeat, no asteroid to deflect.

They were heading to the beach.

Superman, it turns out, has never lost his boyish streak — that stubborn piece of Kansas farm‑kid that survived Krypton’s legacy, decades of danger, and all those endless days of “faster than a speeding bullet.” He wants to build a sandcastle today. A big one. Maybe a fortress, or perhaps just a messy mound. And as he flies, he hums a tune — not from West Side Story or Oklahoma!, but from a preschool show called Rhymington Square.

Wonder Woman doesn’t mind. She smiles. Because if there’s one thing that has kept these two timeless heroes sane through eight decades of saving the world, it might just be a shared fondness for silly songs. Somewhere between the battles and the broken bridges, they discovered Rhymington Square — and in it, an unexpected kind of peace.

A Town Made of Rhymes

Rhymington Square is not a real place you can find on a map, but Superman could probably point you there in a heartbeat. The animated town, created by Skyship Entertainment in 2023 as part of their Super Simple universe, is a place of pure joy and simplicity. Everything in Rhymington Square — the streets, the houses, the daily adventures — has a rhythm, a bounce, a sing‑song lilting tone that wraps around you like a nursery rhyme from another era. It's a place where problems can be solved with a verse and a giggle, a world that offers a comforting escape from the battles of everyday life.

The series is short and sweet: episodes last about five minutes each, just enough to teach a child (or an ageing superhero) a rhyme, a word, or a laugh. There are twelve episodes so far, each like a little brightly coloured window into a world where problems can be solved with a verse and a giggle. Titles like “Bedtime Rhyme” and “Christmas Mischief” promise exactly what they deliver — tiny, joyful doses of language and melody.

The show features a small, quirky cast of characters: Jimmy, Dewey, Strawberry, Hugo, Rizzo, Molly, Melody, and a mischievous creature named Gubbins, who seems to reside primarily under Melody’s hat. They are a cheerful, odd bunch, constantly rhyming and spreading joy. They're the kind of characters who could even convince Batman to hum a tune, though he’d never admit it.

Superman’s Guilty Pleasure

Superman doesn’t like to call it an “obsession.” However, the truth is that Rhymington Square speaks to him, maybe because it’s simple. Perhaps because, after eighty years of laser eyes and collapsing buildings, something about it is healing. It's a comforting escape, a reminder that not every moment has to be a battle. It's a healing balm for the soul, a source of comfort and peace in a world filled with chaos and conflict.

He’ll tell you he watches it for the “cultural insight” — that’s his excuse when Batman raises an eyebrow. But Wonder Woman knows better. She’s caught him singing “There’s a Monster in My Tummy” while fixing the Fortress of Solitude’s roof.

And truth be told, she likes it too. It’s a break from disaster. A reminder that even god-born Amazons and Kryptonian farm boys deserve to sing silly songs sometimes. It's a shared pleasure that brings them closer, reminding them that they're not alone in needing moments of lightheartedness. Their shared enjoyment of the show is a testament to the universal appeal of simple joy, even for those burdened with significant responsibilities. It's a bond that connects them, a shared experience that makes them feel understood and less alone in their need for lighthearted moments.

From Skyship to Skanör

Rhymington Square was created by Skyship Entertainment — the same team behind Super Simple Songs, the preschool success that has taught half the internet how to count ducks and brush their teeth. The show debuted in August 2023 and instantly felt like something older, like a rhyme whispered by a grandmother but animated in bright, clean lines.

Each episode combines brief stories with catchy songs, making learning a fun experience. The rhymes are simple but memorable. Superman might forget where he left his cape, but he won’t forget a Rhymington Square chorus.

And that’s the beauty of Rhymington Square: it's not just for children. It’s for anyone who craves five minutes of unadulterated joy. Even for a man who once battled General Zod and an Amazonian princess who once defied Zeus, the show's simple, catchy rhymes manage to bring a smile to their faces.

Why They Sing

If you passed through Skanör this morning, you might have heard them. Two voices in the sky: Superman’s deep baritone, Wonder Woman’s lighter harmony, singing about glasses and tummy monsters.

Because here’s the thing: heroes get tired. They grow weary of headlines and sirens, of always being the strong ones. And sometimes, the best antidote to all that weight is something feather-light. This need for lighthearted moments is a universal human experience, even for those who seem larger than life.

Rhymington Square, a town where rhymes reign and problems melt into song, is a place of whimsy and wonder. It’s a reminder, even to the mightiest among us, that sometimes you don’t need to save the world. Sometimes you need a bucket, a spade, a beach bag — and a silly little rhyme.

Superman landed gently on the beach, sand swirling around his boots as he took the first steps towards the waterline. He removed his cape, folded it carefully like a blanket, and laid it on a rock.

“So,” he said, setting down the bucket with a thud, a glint of joy in his eyes. “Time to build.”

Wonder Woman raised an eyebrow and stepped closer. “I suppose you’re not planning to settle for a little moat and two towers like everyone else?”

He laughed – that broad, almost boyish laugh. “Diana, I’ve seen Babylon rise and Atlantis sink. I can’t build anything half‑hearted.”

He started scooping sand with his hands, shaping a broad base – almost like a runway – then crouched down to begin constructing the towers with unwavering dedication.

“Four towers,” he muttered to himself. “One for each direction. And a throne here in the middle…”

Wonder Woman set her beach bag down and crouched beside him, though she didn’t touch the sand. She watched him as he smoothed the edges with the flat of his hand.

“A throne?” she asked with a small smile. “And who’s going to sit there? You? Batman? Or maybe Gubbins from Rhymington Square?”

Superman paused, looked up at her, and smiled. “No throne is meant to be sat on. It’s a symbol. Because a hero… should stand,” he said, his words carrying a profound meaning.

He grabbed his blue bucket, walked down to the water, and filled it with seawater to create the moat. He poured it out carefully, as if watering something that might grow.

Wonder Woman crossed her arms and looked at him. “Clark Kent, the strongest man in the world, master of moats.”

He smiled again, that same almost boyish grin. “Everyone needs a moat. Even a sandcastle fortress.”

She leaned forward, picked up a small seashell, and stuck it into one of the towers. “There. A royal flag,” she said. “Or at least a bit of beach art.”

Superman looked at the tiny shell‑flag and nodded solemnly. “Perfect. This will be a castle for everyone – for blue whales, orcas… even for that Red Baron if he needs to park his plane.”

Wonder Woman shook her head and smiled softly. “You’re 87 years old, Clark. And you’re still building sandcastles like a five‑year‑old.”

He crouched again, hands covered in sand, and replied:
“That’s what keeps me flying.”

Jörgen Thornberg

Bucket, Spade & Cape av Jörgen Thornberg

Jörgen Thornberg

Bucket, Spade & Cape, 2025

Digital
50 x 70 cm

3 200 kr

Bucket, Spade & Cape

Some mornings don’t start with battles or headlines. Some mornings don’t begin with capes fluttering in the wind or distant cries for help.

Some mornings start quietly, with two tired heroes flying towards a strip of sand, carrying nothing but a bucket, a spade, and a beach bag. The air is calm, the waves are gentle, and the world is at peace.

On this particular morning, Superman was not the Man of Steel. He was simply Clark, a boy from Kansas with bare feet in warm sand. Wonder Woman was not a warrior princess – she was just Diana, smiling at the thought of seashells and sunshine. It's a rare glimpse into the personal lives of these larger-than-life figures, a reminder that even the most powerful beings have moments of simplicity and joy.

It was the sort of morning when even legends remember how to play, when the weight of the world is momentarily forgotten, and joy takes over.

”Let’s go to the beach!
- Monster song for kids and Super people

Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!

We’ll make a sandcastle.
Build it nice and high.
Or we could fly a kite,
way up in the sky.
Then we can play catch.
Throw around a ball.
There’s so much that we could do.
I want to do it all.

Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!

We’ll look for seashells,
buried in the sand.
Draw pictures with a stick,
or even just our hand.

We’ll make some footprints
as we walk along the shore.
We’ll take a break and have a snack,
and then we’ll play some more.

Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!

We’ll have so much fun.
Underneath the sun.
Lots to do and see.
Splash along with me.

Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!
Let’s go to the beach!”
Rhymington Square, 2023

Superman, Wonder Woman, and the Secret of Rhymington Square

On a breezy summer morning over Skanör, two familiar silhouettes streak across the sky. Superman, 87 years old but still as swift as ever, carried not the weight of the world but a bright blue plastic bucket and a yellow spade. Wonder Woman, 84 and as radiant as ever, glided just behind him, a striped beach bag casually slung over one shoulder. Their age, a testament to their enduring strength and resilience, was not a hindrance but a part of their charm. They were not on a mission. There was no villain to defeat, no asteroid to deflect.

They were heading to the beach.

Superman, it turns out, has never lost his boyish streak — that stubborn piece of Kansas farm‑kid that survived Krypton’s legacy, decades of danger, and all those endless days of “faster than a speeding bullet.” He wants to build a sandcastle today. A big one. Maybe a fortress, or perhaps just a messy mound. And as he flies, he hums a tune — not from West Side Story or Oklahoma!, but from a preschool show called Rhymington Square.

Wonder Woman doesn’t mind. She smiles. Because if there’s one thing that has kept these two timeless heroes sane through eight decades of saving the world, it might just be a shared fondness for silly songs. Somewhere between the battles and the broken bridges, they discovered Rhymington Square — and in it, an unexpected kind of peace.

A Town Made of Rhymes

Rhymington Square is not a real place you can find on a map, but Superman could probably point you there in a heartbeat. The animated town, created by Skyship Entertainment in 2023 as part of their Super Simple universe, is a place of pure joy and simplicity. Everything in Rhymington Square — the streets, the houses, the daily adventures — has a rhythm, a bounce, a sing‑song lilting tone that wraps around you like a nursery rhyme from another era. It's a place where problems can be solved with a verse and a giggle, a world that offers a comforting escape from the battles of everyday life.

The series is short and sweet: episodes last about five minutes each, just enough to teach a child (or an ageing superhero) a rhyme, a word, or a laugh. There are twelve episodes so far, each like a little brightly coloured window into a world where problems can be solved with a verse and a giggle. Titles like “Bedtime Rhyme” and “Christmas Mischief” promise exactly what they deliver — tiny, joyful doses of language and melody.

The show features a small, quirky cast of characters: Jimmy, Dewey, Strawberry, Hugo, Rizzo, Molly, Melody, and a mischievous creature named Gubbins, who seems to reside primarily under Melody’s hat. They are a cheerful, odd bunch, constantly rhyming and spreading joy. They're the kind of characters who could even convince Batman to hum a tune, though he’d never admit it.

Superman’s Guilty Pleasure

Superman doesn’t like to call it an “obsession.” However, the truth is that Rhymington Square speaks to him, maybe because it’s simple. Perhaps because, after eighty years of laser eyes and collapsing buildings, something about it is healing. It's a comforting escape, a reminder that not every moment has to be a battle. It's a healing balm for the soul, a source of comfort and peace in a world filled with chaos and conflict.

He’ll tell you he watches it for the “cultural insight” — that’s his excuse when Batman raises an eyebrow. But Wonder Woman knows better. She’s caught him singing “There’s a Monster in My Tummy” while fixing the Fortress of Solitude’s roof.

And truth be told, she likes it too. It’s a break from disaster. A reminder that even god-born Amazons and Kryptonian farm boys deserve to sing silly songs sometimes. It's a shared pleasure that brings them closer, reminding them that they're not alone in needing moments of lightheartedness. Their shared enjoyment of the show is a testament to the universal appeal of simple joy, even for those burdened with significant responsibilities. It's a bond that connects them, a shared experience that makes them feel understood and less alone in their need for lighthearted moments.

From Skyship to Skanör

Rhymington Square was created by Skyship Entertainment — the same team behind Super Simple Songs, the preschool success that has taught half the internet how to count ducks and brush their teeth. The show debuted in August 2023 and instantly felt like something older, like a rhyme whispered by a grandmother but animated in bright, clean lines.

Each episode combines brief stories with catchy songs, making learning a fun experience. The rhymes are simple but memorable. Superman might forget where he left his cape, but he won’t forget a Rhymington Square chorus.

And that’s the beauty of Rhymington Square: it's not just for children. It’s for anyone who craves five minutes of unadulterated joy. Even for a man who once battled General Zod and an Amazonian princess who once defied Zeus, the show's simple, catchy rhymes manage to bring a smile to their faces.

Why They Sing

If you passed through Skanör this morning, you might have heard them. Two voices in the sky: Superman’s deep baritone, Wonder Woman’s lighter harmony, singing about glasses and tummy monsters.

Because here’s the thing: heroes get tired. They grow weary of headlines and sirens, of always being the strong ones. And sometimes, the best antidote to all that weight is something feather-light. This need for lighthearted moments is a universal human experience, even for those who seem larger than life.

Rhymington Square, a town where rhymes reign and problems melt into song, is a place of whimsy and wonder. It’s a reminder, even to the mightiest among us, that sometimes you don’t need to save the world. Sometimes you need a bucket, a spade, a beach bag — and a silly little rhyme.

Superman landed gently on the beach, sand swirling around his boots as he took the first steps towards the waterline. He removed his cape, folded it carefully like a blanket, and laid it on a rock.

“So,” he said, setting down the bucket with a thud, a glint of joy in his eyes. “Time to build.”

Wonder Woman raised an eyebrow and stepped closer. “I suppose you’re not planning to settle for a little moat and two towers like everyone else?”

He laughed – that broad, almost boyish laugh. “Diana, I’ve seen Babylon rise and Atlantis sink. I can’t build anything half‑hearted.”

He started scooping sand with his hands, shaping a broad base – almost like a runway – then crouched down to begin constructing the towers with unwavering dedication.

“Four towers,” he muttered to himself. “One for each direction. And a throne here in the middle…”

Wonder Woman set her beach bag down and crouched beside him, though she didn’t touch the sand. She watched him as he smoothed the edges with the flat of his hand.

“A throne?” she asked with a small smile. “And who’s going to sit there? You? Batman? Or maybe Gubbins from Rhymington Square?”

Superman paused, looked up at her, and smiled. “No throne is meant to be sat on. It’s a symbol. Because a hero… should stand,” he said, his words carrying a profound meaning.

He grabbed his blue bucket, walked down to the water, and filled it with seawater to create the moat. He poured it out carefully, as if watering something that might grow.

Wonder Woman crossed her arms and looked at him. “Clark Kent, the strongest man in the world, master of moats.”

He smiled again, that same almost boyish grin. “Everyone needs a moat. Even a sandcastle fortress.”

She leaned forward, picked up a small seashell, and stuck it into one of the towers. “There. A royal flag,” she said. “Or at least a bit of beach art.”

Superman looked at the tiny shell‑flag and nodded solemnly. “Perfect. This will be a castle for everyone – for blue whales, orcas… even for that Red Baron if he needs to park his plane.”

Wonder Woman shook her head and smiled softly. “You’re 87 years old, Clark. And you’re still building sandcastles like a five‑year‑old.”

He crouched again, hands covered in sand, and replied:
“That’s what keeps me flying.”

3 200 kr

Lite om bilder och mig. Translation in English at the end.

Jag är en nyfiken person som ser allt i bilder, även det jag fäster i ord, gärna tillsammans för bakom alla mina bilder finns en berättelse. Till vissa bilder hör en kortare eller längre novell som följer med bilden.
Bilder berättar historier. Jag omges av naturlig skönhet, intressanta människor och historia var jag än går. Jag använder min kamera för att dokumentera världen och blanda det jag ser med vad jag känner för att fånga den dolda magin.

Mina bilder berättar mina historier. Genom mina bilder, tryck och berättelser. Jag bjuder in dig att ta del av dessa berättelser, in i ditt liv och hem och dela min mycket personliga syn på vår värld. Mer än vad ögat ser. Jag tänker i bilder, drömmer och skriver och pratar om dem; följaktligen måste jag också skapa bilder. De blir vad jag ser, inte nödvändigtvis begränsade till verkligheten. Det finns en bild runt varje hörn. Jag hoppas att du kommer att se vad jag såg och gilla det.

Jag är också en skrivande person och till många bilder hör en kortare eller längre essay. Den följer med tavlan, tryckt på fint papper och med en personlig hälsning från mig.

Flertalet bilder startar sin resa i min kamera. Enkelt förklarat beskriver jag bilden jag ser i mitt inre, upplevd eller fantiserad. Bilden uppstår inom mig redan innan jag fått okularet till ögat. På bråkdelen av ett ögonblick ser jag vad jag vill ha och vad som kan göras med bilden. Här skall jag stoppa in en giraff, stålmannen, Titanic eller vad det är min fantasi finner ut. Ännu märkligare är att jag kommer ihåg minnesbilden långt efteråt när det blir tid att skapa verket. Om jag lyckas eller inte, är upp till betraktaren, oftast präglat av en stråk av svart humor – meningen är att man skall bli underhållen. Mina bilder blir ofta en snackis där de hänger.
Jag föredrar bilder som förmedlar ett budskap i flera lager. Vid första anblicken fylld av feel-good, en vacker utsikt, fint väder, solen skiner, blommor på ängen eller vattnet som ligger förrädiskt spegelblankt. I en sådan bild kan jag gömma min egentliga berättelse, mitt förakt för förtryckare och våldsverkare, rasister och fördomsfulla människor - ett gärna återkommande motiv mer eller mindre dolt i det vackra motivet. Jag försöker förena dem i ett gemensamt narrativ.

Bild och formgivning har löpt som en röd tråd genom livet. Fotokonst känns som en värdig final som jag gärna delar med mig.

Min genre är vid som framgår av mina bilder, temat en blandning av pop- och gatukonst i kollage som kan bestå av hundratals lager. Vissa bilder kan ta veckor, andra någon dag innan det är dags att överlämna resultatet till printverkstaden. Fine Art Prints är digitala fotocollage. I dessa kollage sker rivandet, klippandet, pusslandet, målandet, ritandet och sprayningen digitalt. Det jag monterar in kan vara hundratals år gamla bilder som jag omsorgsfullt frilägger så att de ser ut att vara en del av tavlan men också bilder skapade av mig själv efter min egen fantasi. Därefter besöks printstudion och för vissa bilder numrera en limiterad upplaga (oftast 7 exemplar) och signera för hand. Vissa bilder kan köpas i olika format. Det är bara att fråga efter vilka. Gillar man en bild som är 70x100 men inte har plats på väggen, går den kanske att få i 50x70 cm istället. Frågan är fri.

Metoden Giclée eller Fine Art Print som det också kallas är det moderna sättet för framställning av grafisk konst. Villkoret för denna typ av utskrifter är att en högkvalitativ storformatskrivare används med åldersbeständigt färgpigment och konstnärspapper eller i förekommande fall på duk. Pappret som används möter de krav på livslängd som ställs av museer och gallerier. Normalt säljer jag mina bilder oinramade så att den nya ägaren själv kan bestämma hur de skall se ut, med eller utan passepartout färg på ram, med eller utan glas etc..

Under många år ställde jag bara ut på nätet, i valda grupper och på min egen Facebooksida - https://www.facebook.com/jorgen.thornberg.9
Jag finns också på en egen hemsida som tyvärr inte alltid är uppdaterad – https://www.jth.life/ Där kan du också läsa en del av de berättelser som följer med bilden.

UTSTÄLLNINGAR
Luftkastellet, oktober 2022
Konst i Lund, november 2022
Luftkastellet, mars 2023
Engleson Galleri Caroli, april 2023
Hydra, Greece June 2023
Engleson Galleri Caroli, oktober 2023
Toppen, Höllviken december 2023
Luftkastellet, mars 2024
Torups Galleri, mars 2024
Venice, May 2024
Luftkastellet, oktober 2024
Konst i Advent, December 2024
Galleri Engleson, Caroli December 2024
Jäger & Jansson Galleri, april 2025

A bit about pictures and me.

I'm a curious person who sees everything in pictures, even what I express in words, often combining them, for behind all my pictures lies a story. These narratives, some as short as a single image and others as long as a novel, are the heart and soul of my work.

Pictures tell stories. Wherever I go, I'm surrounded by natural beauty, exciting people, and history. I use my camera to document the world and blend what I see with what I feel to capture the hidden magic.
My images tell my stories. Through my pictures, prints, and narratives, I invite you to partake in these stories in your life and home and share my deeply personal perspective of our world. More than meets the eye. I think in pictures, dream, write, and talk about them; consequently, I must create images too. They become what I see, not necessarily confined to reality. There's a picture around every corner. I hope you'll see what I saw and enjoy it.

I'm also a writer, and many images come with a shorter or longer essay. It accompanies the painting, printed on fine paper with my personal greeting.

Many pictures start their journey on my camera. Simply put, I describe the image I see in my mind, experienced or imagined. The image arises within me even before I bring the eyepiece to my eye. In a fraction of a moment, I see what I want and what can be done with the picture. Here, I'll insert a giraffe, Superman, the Titanic, or whatever my imagination conjures up. Even stranger is that I remember the mental image long after it's time to create the work. Whether I succeed is up to the observer, often imbued with a streak of black humour – the aim is to entertain. My pictures usually become a talking point wherever they hang.

I prefer pictures that convey a message in multiple layers. At first glance, they're filled with feel-good vibes, a beautiful view, lovely weather, the sun shining, flowers in the meadow, or the water lying deceptively calm. But beneath this surface beauty, I often conceal a deeper story, a narrative that challenges societal norms or explores the human condition. I invite you to delve into these hidden narratives and discover the layers of meaning within my work.

Picture and design have been a thread running through my life. Photographic art feels like a fitting finale, and I'm happy to share it.
My genre is varied, as seen in my pictures; the theme is a blend of pop and street art in collages that can consist of hundreds of layers. Some images can take weeks, others just a day before it's time to hand over the result to the print workshop. Fine Art Prints are digital photo collages. In these collages, tearing, cutting, puzzling, painting, drawing, and spraying happen digitally. What I insert can be images hundreds of years old that I carefully extract so they appear to be part of the painting, but also images created by myself, now also generated from my imagination. Next, visit the print studio and, for certain images, number a limited edition (usually 7 copies) and sign them by hand. Some images may be available in other formats. Just ask which ones. If you like an image that's 70x100 but doesn't have space on the wall, you might be able to get it in 50x70 cm instead. The question is open.

The Giclée method, or Fine Art Print as it's also called, is the modern way of producing graphic art. This method ensures the highest quality and longevity of the artwork, using a high-quality large-format printer with archival pigment inks and artist paper or, in some cases, canvas. The paper used meets the longevity requirements set by museums and galleries. I sell my pictures unframed, allowing the new owner to personalise their artwork, confident in the lasting value and quality of the piece.

For many years, I only exhibited online, in selected groups, and on my Facebook page - https://www.facebook.com/jorgen.thornberg.9. I also have my website, which unfortunately is not constantly updated - https://www.jth.life/. You can also read some of the stories accompanying the pictures there.

EXHIBITIONS
Luftkastellet, October 2022
Art in Lund, November 2022
Luftkastellet, March 2023
Engleson Gallery Caroli, April 2023
Hydra, Greece June 2023
Engleson Gallery Caroli, October 2023
Toppen, Höllviken December 2023
Luftkastellet, March 2024
Torup Gallery, March 2024
Venice, May 2024
UTSTÄLLNINGAR
Luftkastellet, oktober 2022
Konst i Lund, november 2022
Luftkastellet, mars 2023
Engleson Galleri Caroli, april 2023
Hydra, Greece June 2023
Engleson Galleri Caroli, oktober 2023
Toppen, Höllviken december 2023
Luftkastellet, mars 2024
Torups Galleri, mars 2024
Venice, May 2024
Luftkastellet, October 2024
Konst i Advent, December 2024
Galleri Engleson, Caroli December 2024
Jäger & Jansson Galleri, April 2025

Utbildning
Autodidakt

Medlem i konstnärsförening
Öppna Sinnen

Med i konstrunda
Konstrundan i Skåne

Utställningar
Luftkastellet, October 2022
Art in Lund, November 2022
Luftkastellet, March 2023
Engleson Gallery Caroli, April 2023
Hydra, Greece June 2023
Engleson Gallery Caroli, October 2023
Toppen, Höllviken December 2023
Luftkastellet, March 2024
Torup Gallery, March 2024
Venice, May 2024

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